Do Re MiC D E

Inner Urge

Henderson Joe4/4up-tempo-swing
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Emaj7♯11
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Dmaj7♯11
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Cmaj7♯11
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D♯maj7♯11
Cmaj7♯11
C♯maj7♯11
A♯maj7♯11

Chord Diagrams — Inner Urge in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Fm7♭5
EADGBE222xx1
EADGBE1x23x
8frEADGBEx1324x
11frEADGBE2134x
Emaj7♯11
4frEADGBE11x423
EADGBE11234
7frEADGBE11x234
11frEADGBE111123
Dmaj7♯11
5frEADGBE11x234
EADGBE11xx3
2frEADGBEx4231
9frEADGBE111123
Cmaj7♯11
7frEADGBE111123
EADGBEx4231
3frEADGBE11x234
8frEADGBE111234
D♯maj7♯11
6frEADGBE11x234
EADGBEx314x
3frEADGBE11x423
10frEADGBE111123
C♯maj7♯11
8frEADGBE111123
EADGBEx42311
4frEADGBE11x234
9frEADGBE111234
A♯maj7♯11
6frEADGBE111234
EADGBE11x234
5frEADGBE111123
10frEADGBE11x423
Bmaj7
7frEADGBE111423
EADGBE111324
4frEADGBE111xx4
9frEADGBE11333x
G♯maj7
6frEADGBE11x333
4frEADGBE111423
9frEADGBEx3241x
11frEADGBE111324
A7
7frEADGBEx1324
EADGBEx23
EADGBE111x2
5frEADGBE111132
F♯maj7
6frEADGBE111x43
EADGBE111423
4frEADGBE11x333
9frEADGBE111324

Explore More

Inner Urge in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F to E (descending half step), E to D (descending whole step), D to C (descending whole step), C to D# (ascending minor third), D# to C# (descending whole step), C# to A# (descending minor third), A# to B (ascending half step), B to G# (descending minor third), G# to A (ascending half step), A to F# (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F# to F by half step.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

up-tempo-swing4/4 · 24 bars · Form: A

Chords: Fm7♭5, Emaj7♯11, Dmaj7♯11, Cmaj7♯11, D♯maj7♯11, C♯maj7♯11, A♯maj7♯11, Bmaj7, G♯maj7, A7, F♯maj7.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#