Do Re MiC D E

Inner Urge

Henderson Joe4/4up-tempo-swing
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Amaj7♯11
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Gmaj7♯11
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Fmaj7♯11
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G♯maj7♯11
Fmaj7♯11
F♯maj7♯11
D♯maj7♯11

Chord Diagrams — Inner Urge in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯m7♭5
5frEADGBE2x341x
EADGBEx1324x
EADGBE11xx24
8frEADGBE222xx1
Amaj7♯11
6frEADGBE11x34
EADGBEx2134
4frEADGBE111123
9frEADGBE11x423
Gmaj7♯11
7frEADGBE11x423
EADGBE111133
3frEADGBE111234
10frEADGBE11x234
Fmaj7♯11
8frEADGBE11x234
EADGBE12
EADGBExx213
5frEADGBE11x423
G♯maj7♯11
8frEADGBE11x423
EADGBE111123
4frEADGBE111234
11frEADGBE11x234
F♯maj7♯11
9frEADGBE11x234
EADGBE111123
4frEADGBE11x234
6frEADGBE11x423
D♯maj7♯11
10frEADGBE111123
EADGBEx314x
3frEADGBE11x423
6frEADGBE11x234
Emaj7
7frEADGBE111324
EADGBE312
EADGBE333xx1
4frEADGBE111x43
C♯maj7
6frEADGBE11xxx3
EADGBE111x43
4frEADGBE111324
9frEADGBE1x342x
D7
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
Bmaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x

Explore More

Inner Urge in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through A# to A (descending half step), A to G (descending whole step), G to F (descending whole step), F to G# (ascending minor third), G# to F# (descending whole step), F# to D# (descending minor third), D# to E (ascending half step), E to C# (descending minor third), C# to D (ascending half step), D to B (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to A# by half step.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

up-tempo-swing4/4 · 24 bars · Form: A

Chords: A♯m7♭5, Amaj7♯11, Gmaj7♯11, Fmaj7♯11, G♯maj7♯11, F♯maj7♯11, D♯maj7♯11, Emaj7, C♯maj7, D7, Bmaj7.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B