Do Re MiC D E

I Feel Pretty

Bernstein-Sondheim4/4waltz

Chord Diagrams — I Feel Pretty in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
G♯aug
4frEADGBE1x423x
EADGBE11432x
5frEADGBE11xx2x
9frEADGBE11x32x
C♯/A
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
A♯m
6frEADGBE111134
EADGBE11x342
6frEADGBE111xx3
8frEADGBExx1342
A♯m/C
6frEADGBE111134
EADGBE11x342
6frEADGBE111xx3
8frEADGBExx1342
G♯
6frEADGBE11x243
EADGBE11132x
4frEADGBE111342
8frEADGBE111432
B/G
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
G♯/E
6frEADGBE11x243
EADGBE11132x
4frEADGBE111342
8frEADGBE111432
F♯
6frEADGBE111432
EADGBE111342
4frEADGBE11x243
9frEADGBE111234
C♯7/C
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132
C♯7
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132
F♯/D
6frEADGBE111432
EADGBE111342
4frEADGBE11x243
9frEADGBE111234
Fm/E
8frEADGBE111342
EADGBE111134
3frEADGBExx1342
10frEADGBE1142xx
C7
8frEADGBE111132
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
Fm
8frEADGBE111342
EADGBE111134
3frEADGBExx1342
10frEADGBE1142xx
C♯m6/A♭
8frEADGBE2x134x
EADGBE11x324
5frEADGBExx2314
9frEADGBE111234
G♯7/G
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
D♯m7/C
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
G♯9/E
5frEADGBExx2143
EADGBE11234x
4frEADGBE111324
10frEADGBE221334

Explore More

I Feel Pretty in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to D# (ascending whole step), D# to G# (ascending perfect fourth), G# to A# (ascending whole step), A# to A# (ascending unison), A# to G# (descending whole step), G# to B (ascending minor third), B to G# (descending minor third), G# to F# (descending whole step), F# to C# (descending perfect fourth), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to F (descending half step), F to C (descending perfect fourth), C to F (ascending perfect fourth), F to C# (descending major third), C# to G# (descending perfect fourth), G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to C# by perfect fourth.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 76 bars · Form: AB

Chords: C♯, G♯aug, C♯/A, D♯m7, G♯7, A♯m, A♯m/C, G♯, B/G, G♯/E, F♯, C♯7/C, C♯7, F♯/D, Fm/E, C7, Fm, C♯m6/A♭, G♯7/G, D♯m7/C, G♯9/E.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#