Do Re MiC D E

I Feel Pretty

Bernstein-Sondheim4/4waltz
F♯m/C
A7/C
A/A
D/D
D/D
D/D
%
C♯m/E
Am6/A♭
E7/G
Bm7/C
D/D
E9/E
A/A
F♯m/C
G/G
E/E
%

Chord Diagrams — I Feel Pretty in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
Eaug
5frEADGBE11x32x
EADGBE4312
7frEADGBEx3211x
9frEADGBE11432
A/A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
Bm7
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
E7
7frEADGBE111134
EADGBE21
5frEADGBEx3241x
9frEADGBE111xx2
F♯m
5frEADGBExx3241
EADGBE111134
4frEADGBE11x342
9frEADGBE111342
F♯m/C
5frEADGBExx3241
EADGBE111134
4frEADGBE11x342
9frEADGBE111342
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
G/G
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
E/E
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
D
2frEADGBE111432
EADGBExx132
5frEADGBE111234
10frEADGBE111342
A7/C
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
D/D
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
C♯m/E
EADGBEx4213x
4frEADGBE111342
6frEADGBE1132x4
9frEADGBE111134
G♯7
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
11frEADGBE111134
C♯m
EADGBEx4213x
4frEADGBE111342
6frEADGBE1132x4
9frEADGBE111134
Am6/A♭
EADGBEx2314
4frEADGBE2x1334
5frEADGBE111234
7frEADGBE111x32
E7/G
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
Bm7/C
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
E9/E
EADGBE113x42
EADGBE213
6frEADGBE221334
9frEADGBE11112

Explore More

I Feel Pretty in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to E (descending perfect fourth), E to A (ascending perfect fourth), A to B (ascending whole step), B to E (ascending perfect fourth), E to F# (ascending whole step), F# to F# (ascending unison), F# to E (descending whole step), E to G (ascending minor third), G to E (descending minor third), E to D (descending whole step), D to A (descending perfect fourth), A to A (ascending unison), A to D (ascending perfect fourth), D to C# (descending half step), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to A (descending major third), A to E (descending perfect fourth), E to B (descending perfect fourth), B to E (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 76 bars · Form: AB

Chords: A, Eaug, A/A, Bm7, E7, F♯m, F♯m/C, E, G/G, E/E, D, A7/C, A7, D/D, C♯m/E, G♯7, C♯m, Am6/A♭, E7/G, Bm7/C, E9/E.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E