Do Re MiC D E

I Feel Pretty

Bernstein-Sondheim4/4waltz

Chord Diagrams — I Feel Pretty in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
Baug
3frEADGBExx4231
EADGBEx21x
7frEADGBE1x423x
12frEADGBE11x32
E/A
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
C♯m/C
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
D/G
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
B/E
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
E7/C
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
A/D
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
G♯m/E
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
G♯m
6frEADGBExx1342
4frEADGBE111134
7frEADGBExx3241
11frEADGBE111342
Em6/A♭
8frEADGBExx2314
EADGBE123
EADGBE11132
5frEADGBE11x324
B7/G
7frEADGBE111132
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
F♯m7/C
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314
B9/E
8frEADGBExx2143
EADGBEx21334
4frEADGBE111432
7frEADGBE111324

Explore More

I Feel Pretty in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through E to B (descending perfect fourth), B to E (ascending perfect fourth), E to F# (ascending whole step), F# to B (ascending perfect fourth), B to C# (ascending whole step), C# to C# (ascending unison), C# to B (descending whole step), B to D (ascending minor third), D to B (descending minor third), B to A (descending whole step), A to E (descending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to G# (descending half step), G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth), G# to E (descending major third), E to B (descending perfect fourth), B to F# (descending perfect fourth), F# to B (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to E by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 76 bars · Form: AB

Chords: E, Baug, E/A, F♯m7, B7, C♯m, C♯m/C, B, D/G, B/E, A, E7/C, E7, A/D, G♯m/E, D♯7, G♯m, Em6/A♭, B7/G, F♯m7/C, B9/E.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B