Do Re MiC D E

I Feel Pretty

Bernstein-Sondheim4/4waltz
Bm/C
D7/C
D/A
G/D
G/D
G/D
%
F♯m/E
Dm6/A♭
A7/G
Em7/C
G/D
A9/E
D/A
Bm/C
C/G
A/E
%

Chord Diagrams — I Feel Pretty in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
Aaug
5frEADGBE11x423
EADGBEx4231
2frEADGBE11432x
10frEADGBE11x32x
D/A
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
Em7
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
A7
7frEADGBEx1324
EADGBEx23
EADGBE111x2
5frEADGBE111132
Bm
7frEADGBE111134
EADGBE111342
9frEADGBExx1342
10frEADGBExx3241
Bm/C
7frEADGBE111134
EADGBE111342
9frEADGBExx1342
10frEADGBExx3241
A
7frEADGBEx1243
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
C/G
8frEADGBE111342
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
A/E
7frEADGBEx1243
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
G
7frEADGBE111432
EADGBE213
3frEADGBE111342
5frEADGBE11x243
D7/C
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
D7
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
G/D
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
F♯m/E
5frEADGBExx3241
EADGBE111134
4frEADGBE11x342
9frEADGBE111342
C♯7
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132
F♯m
5frEADGBExx3241
EADGBE111134
4frEADGBE11x342
9frEADGBE111342
Dm6/A♭
5frEADGBEx13x24
EADGBExx21
3frEADGBE11x324
9frEADGBE2x1333
A7/G
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324
Em7/C
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
A9/E
5frEADGBE111324
2frEADGBE431
EADGBE11x32
11frEADGBEx21333

Explore More

I Feel Pretty in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to A (descending perfect fourth), A to D (ascending perfect fourth), D to E (ascending whole step), E to A (ascending perfect fourth), A to B (ascending whole step), B to B (ascending unison), B to A (descending whole step), A to C (ascending minor third), C to A (descending minor third), A to G (descending whole step), G to D (descending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to F# (descending half step), F# to C# (descending perfect fourth), C# to F# (ascending perfect fourth), F# to D (descending major third), D to A (descending perfect fourth), A to E (descending perfect fourth), E to A (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to D by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 76 bars · Form: AB

Chords: D, Aaug, D/A, Em7, A7, Bm, Bm/C, A, C/G, A/E, G, D7/C, D7, G/D, F♯m/E, C♯7, F♯m, Dm6/A♭, A7/G, Em7/C, A9/E.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A