Do Re MiC D E

I Could Write a Book

Lorenz Hart / Richard Rodgers(1940)4/4swing

Chord Diagrams — I Could Write a Book in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
C♯Maj7
6frEADGBE11xxx3
EADGBE111x43
4frEADGBE111324
9frEADGBE1x342x
G♯13
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
D♯m11
4frEADGBE11x234
EADGBE11xx34
9frEADGBE111342
11frEADGBE111114
G♯7/F
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
Edim7
EADGBExx1324
EADGBE123
6frEADGBEx2314x
11frEADGBE112x3x
C♯/E
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
C7♭9
EADGBE11x234
6frEADGBE3241xx
8frEADGBE111x23
9frEADGBExx3142
Gm7♭5
EADGBE2x341x
EADGBE3xx421
5frEADGBE222xx1
10frEADGBEx1324x
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
Bdim7
EADGBExx1324
EADGBE11x234
6frEADGBE3x142x
7frEADGBE111234
G♯/B
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
C♯7♭9
7frEADGBE3241x
EADGBE11x234
4frEADGBEx1234
9frEADGBExx1324
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
B13
7frEADGBE111234
EADGBE44x213
EADGBE111134
4frEADGBE111432
F♯Maj7
6frEADGBE111x43
EADGBE111423
4frEADGBE11x333
9frEADGBE111324
Faug7
8frEADGBE11x432
EADGBE1234x
3frEADGBExx1423
12frEADGBE213x4x
C♯/G
9frEADGBE111342
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
G♯7♭9
10frEADGBE11x234
EADGBE111x2
4frEADGBE11xx23
5frEADGBE11xx23
D♯m7/F
11frEADGBE111114
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
C♯69
10frEADGBExx2134
EADGBE11x432
EADGBE11x234
8frEADGBE111234

Explore More

I Could Write a Book in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to C# (ascending minor third), C# to G# (descending perfect fourth), G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth), G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth), G# to E (descending major third), E to C# (descending minor third), C# to C (descending half step), C to G (descending perfect fourth), G to F (descending whole step), F to B (ascending tritone), B to G# (descending minor third), G# to D# (descending perfect fourth), D# to C# (descending whole step), C# to G# (descending perfect fourth), G# to B (ascending minor third), B to F# (descending perfect fourth), F# to F (descending half step), F to C# (descending major third), C# to G# (descending perfect fourth), G# to D# (descending perfect fourth), D# to C# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to A# by minor third.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 33 bars · Form: A

Chords: A♯m7, C♯Maj7, G♯13, D♯m7, G♯7, D♯m11, G♯7/F, Edim7, C♯/E, C7♭9, Gm7♭5, Fm7, Bdim7, G♯/B, D♯7, C♯7♭9, G♯m7, B13, F♯Maj7, Faug7, C♯/G, G♯7♭9, D♯m7/F, C♯69.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#