Do Re MiC D E

I Could Write a Book

Lorenz Hart / Richard Rodgers(1940)4/4swing

Chord Diagrams — I Could Write a Book in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
AMaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
E13
5frEADGBE1342
EADGBE213
EADGBE123
7frEADGBE111134
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
Bm11
5frEADGBE111342
EADGBEx123
7frEADGBE111114
9frEADGBE1122xx
E7/F
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
Cdim7
7frEADGBE112x3x
EADGBExx1324
EADGBE11x234
10frEADGBE11xx34
A/E
7frEADGBEx1243
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
G♯7♭9
10frEADGBE11x234
EADGBE111x2
4frEADGBE11xx23
5frEADGBE11xx23
D♯m7♭5
10frEADGBE2x341x
EADGBE222xx1
6frEADGBEx1324x
7frEADGBE11xx24
C♯m7
11frEADGBExx1423
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
Gdim7
5frEADGBExx1324
EADGBE31x42
EADGBE3x142
3frEADGBE111234
E/B
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
A7♭9
5frEADGBE111423
EADGBE11x23
6frEADGBE11xx23
11frEADGBE11x234
Em7
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
G13
9frEADGBEx21334
EADGBE321
3frEADGBE11x234
3frEADGBE111324
DMaj7
7frEADGBE111xx4
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
C♯aug7
7frEADGBE431x2
EADGBEx4321
4frEADGBE11x432
9frEADGBE1x234x
A/G
7frEADGBEx1243
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
E7♭9
6frEADGBE11x234
EADGBE312
4frEADGBE1134
10frEADGBE3241xx
Bm7/F
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
A69
6frEADGBEx22134
EADGBE11x34
4frEADGBE111234
11frEADGBE11x234

Explore More

I Could Write a Book in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F# to A (ascending minor third), A to E (descending perfect fourth), E to B (descending perfect fourth), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to E (ascending perfect fourth), E to C (descending major third), C to A (descending minor third), A to G# (descending half step), G# to D# (descending perfect fourth), D# to C# (descending whole step), C# to G (ascending tritone), G to E (descending minor third), E to B (descending perfect fourth), B to A (descending whole step), A to E (descending perfect fourth), E to G (ascending minor third), G to D (descending perfect fourth), D to C# (descending half step), C# to A (descending major third), A to E (descending perfect fourth), E to B (descending perfect fourth), B to A (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to F# by minor third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 33 bars · Form: A

Chords: F♯m7, AMaj7, E13, Bm7, E7, Bm11, E7/F, Cdim7, A/E, G♯7♭9, D♯m7♭5, C♯m7, Gdim7, E/B, B7, A7♭9, Em7, G13, DMaj7, C♯aug7, A/G, E7♭9, Bm7/F, A69.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A