I Could Write a Book in B

Lorenz Hart / Richard Rodgers(1940)swing
Do Re MiC D E
A
F♯13
C♯m11
F♯7/E
B/D♯
F♯/A♯
C♯m11
F♯13
C♯m11
F♯7/E
B/D♯
B/F♯
D♯aug7
C♯m7/E
B69

Chord Diagrams — I Could Write a Book in B (Guitar)

Display
FingerNoteDegree
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
F♯13
EADGBE2314
EADGBE1112347frEADGBEx42319frEADGBE111134
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
C♯m11
EADGBE111x23
7frEADGBE1113429frEADGBE11111411frEADGBE11xx23
F♯7/E
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
B/D♯
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
Ddim7
EADGBExx23
4frEADGBE11x2347frEADGBEx243110frEADGBE111234
Fm7♭5
EADGBE1x23x
EADGBE222xx18frEADGBEx1324x11frEADGBE2134x
A♯7♭9
EADGBEx123
4frEADGBE3241xx6frEADGBE111x2312frEADGBE11x234
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
F♯/A♯
6frEADGBE111432
EADGBE1113424frEADGBE11x2439frEADGBE111234
Adim7
EADGBEx1324
4frEADGBE112x3x5frEADGBE1112347frEADGBE11x34
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
B7♭9
EADGBE11x234
5frEADGBE3241xx7frEADGBE111x238frEADGBE11xx23
EMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
A13
EADGBEx123
3frEADGBE42315frEADGBE11132411frEADGBE44x213
B/F♯
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
D♯aug7
EADGBExx1423
6frEADGBE11x4329frEADGBE324111frEADGBE1x234x
C♯m7/E
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
F♯7♭9
EADGBE2134
3frEADGBE11xx238frEADGBE11x23412frEADGBE3241xx
B69
EADGBE11x234
6frEADGBE1112348frEADGBE2222x111frEADGBE11x432

I Could Write a Book in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to C# (descending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to D (ascending minor third), D to F (ascending minor third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to F# (ascending minor third), F# to A (ascending minor third), A to C# (ascending major third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to B (ascending whole step), B to D# (ascending major third), D# to C# (descending whole step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to B by unison.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 33 bars · Form: A

Chords: BMaj7, G♯m7, C♯m7, F♯13, F♯7, C♯m11, F♯7/E, B/D♯, Ddim7, Fm7♭5, A♯7♭9, D♯m7, F♯/A♯, Adim7, C♯7, F♯m7, B7♭9, EMaj7, A13, B/F♯, D♯aug7, C♯m7/E, F♯7♭9, B69.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B