I Could Write a Book in E

Lorenz Hart / Richard Rodgers(1940)swing
Do Re MiC D E
A
F♯m11
B7/A
E/G♯
B/D♯
F♯m11
F♯m11
B7/A
E/G♯
E/B
G♯aug7
F♯m7/A
E69

Chord Diagrams — I Could Write a Book in E (Guitar)

Display
FingerNoteDegree
EMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
B13
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
F♯m11
EADGBE231
EADGBE1111144frEADGBE11xx237frEADGBE11x234
B7/A
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
E/G♯
4frEADGBE111432
EADGBE2312frEADGBExx12437frEADGBE111234
Gdim7
EADGBE31x42
EADGBE3x1423frEADGBE1112345frEADGBExx1324
A♯m7♭5
EADGBEx1324x
EADGBE11xx245frEADGBE2x341x8frEADGBE222xx1
D♯7♭9
EADGBExx24
5frEADGBE11x2346frEADGBE11x349frEADGBE3241xx
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
B/D♯
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
Ddim7
EADGBExx23
4frEADGBE11x2347frEADGBEx243110frEADGBE111234
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
E7♭9
EADGBE312
4frEADGBE11346frEADGBE11x23410frEADGBE3241xx
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
D13
EADGBExx412
5frEADGBE1111348frEADGBE423110frEADGBE1x234x
E/B
7frEADGBE111234
EADGBE2312frEADGBExx12434frEADGBE111432
G♯aug7
4frEADGBE1x234
6frEADGBExx14239frEADGBEx324111frEADGBE11x432
F♯m7/A
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
B7♭9
EADGBE11x234
5frEADGBE3241xx7frEADGBE111x238frEADGBE11xx23
E69
EADGBE22221
6frEADGBE11x2349frEADGBE11111x11frEADGBE11134

I Could Write a Book in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to F# (descending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to G (ascending minor third), G to A# (ascending minor third), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to B (ascending minor third), B to D (ascending minor third), D to F# (ascending major third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to E (ascending whole step), E to G# (ascending major third), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to E by unison.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 33 bars · Form: A

Chords: EMaj7, C♯m7, F♯m7, B13, B7, F♯m11, B7/A, E/G♯, Gdim7, A♯m7♭5, D♯7♭9, G♯m7, B/D♯, Ddim7, F♯7, Bm7, E7♭9, AMaj7, D13, E/B, G♯aug7, F♯m7/A, B7♭9, E69.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E