Do Re MiC D E

Everybody's Song But My Own

Wheeler Kenny4/4waltz
Am9/B♭
B7♭13/B
Em11
Gmaj7/B♭
Bm11
D♯maj7/B♭
Am9/B♭
B7♭13/B
Em11
Gmaj7/B♭
Bm11
Dmaj7/F
C♯7♯9♯5
F♯maj9
G♯m7/A
F♯maj9
G♯m7/A
F♯maj9
D♯m11
D♯m9/A
A♯maj7♯11
Bm11/C
Amaj9
A♯m11/B
Am9/B♭
B7♭13/B
Em11
Gmaj7/B♭
Bm11
Dmaj7/F
C♯7♯9♯5
F♯m11
Fmaj7♯11
Em11
D♯13♯11
Dmaj9
D♯maj7/B♭
Dmaj9
D♯maj7/B♭
Dmaj9
D♯maj7/B♭
Dmaj9
D♯maj7/B♭
G♯maj7♯11
Gm11

Chord Diagrams — Everybody's Song But My Own in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Am9/B♭
5frEADGBE111134
EADGBEx2413
8frEADGBE132
10frEADGBEx21344
B7♭13/B
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
Em11
3frEADGBE321
EADGBE1
5frEADGBE11x234
10frEADGBE111342
Gmaj7/B♭
3frEADGBE111423
EADGBE321
5frEADGBE11333x
10frEADGBE11x324
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx24
8frEADGBE2x341x
11frEADGBE222xx1
F♯7♯9
3frEADGBExx2134
EADGBE213334
2frEADGBE111324
8frEADGBEx2134x
Bm11
5frEADGBE111342
EADGBEx123
7frEADGBE111114
9frEADGBE1122xx
D♯maj7/B♭
6frEADGBE111324
EADGBE11333x
3frEADGBE111x43
8frEADGBE111xx4
Dmaj7/F
7frEADGBE111xx4
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
G♯m7♭5
6frEADGBE222xx1
EADGBExx13
EADGBE2x341x
11frEADGBEx1324x
C♯7♯9♯5
C♯ - F - A - B - E
F♯maj9
8frEADGBE22143x
EADGBE111243
EADGBE11x234
3frEADGBExx2143
G♯m7/A
9frEADGBE11x23x
4frEADGBE111113
6frEADGBE11x423
11frEADGBE111132
Fm7♭5
8frEADGBEx1324x
EADGBE1x23x
EADGBE222xx1
11frEADGBE2134x
A♯7♭9
6frEADGBE111x23
EADGBEx123
4frEADGBE3241xx
12frEADGBE11x234
D♯m11
4frEADGBE11x234
EADGBE11xx34
9frEADGBE111342
11frEADGBE111114
D♯m9/A
4frEADGBEx21344
7frEADGBExx2413
9frEADGBEx13244
11frEADGBE111134
Cm7♭5
4frEADGBE11xx24
EADGBEx1324x
8frEADGBE111234
10frEADGBE333xx1
F7♭9
EADGBE11xx23
EADGBE111423
7frEADGBE11x234
11frEADGBE3241xx
A♯maj7♯11
EADGBE11x234
5frEADGBE111123
6frEADGBE111234
10frEADGBE11x423
Bm11/C
EADGBEx123
5frEADGBE111342
7frEADGBE111114
9frEADGBE1122xx
Amaj9
EADGBE11x34
4frEADGBE11243
5frEADGBEx2314
11frEADGBE22143x
A♯m11/B
4frEADGBE111342
6frEADGBE111114
8frEADGBE11xx23
11frEADGBE11x234
F♯m11
4frEADGBE11xx23
EADGBE231
EADGBE111114
7frEADGBE11x234
Fmaj7♯11
EADGBExx213
EADGBE12
5frEADGBE11x423
8frEADGBE11x234
A♯m9
2frEADGBExx2413
4frEADGBE113x24
6frEADGBE111134
11frEADGBEx2134x
D♯13♯11
D♯ - G - A♯ - C♯ - F - A - C
Dmaj9
2frEADGBE1111x4
4frEADGBEx2143x
7frEADGBEx2314
10frEADGBE11x234
G♯maj7♯11
EADGBE111123
4frEADGBE111234
8frEADGBE11x423
11frEADGBE11x234
Gm11
3frEADGBE111114
EADGBE2x341x
5frEADGBE11xx23
8frEADGBE11x234

Explore More

Everybody's Song But My Own in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to B (ascending whole step), B to E (ascending perfect fourth), E to G (ascending minor third), G to C# (ascending tritone), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to D# (ascending major third), D# to D (descending half step), D to G# (ascending tritone), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to G# (ascending whole step), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to C (descending minor third), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to B (ascending half step), B to A (descending whole step), A to A# (ascending half step), A# to F# (descending major third), F# to F (descending half step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to D (descending half step), D to G# (ascending tritone), G# to G (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to A by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 52 bars · Form: ABAC

Chords: Am9/B♭, B7♭13/B, Em11, Gmaj7/B♭, C♯m7♭5, F♯7♯9, Bm11, D♯maj7/B♭, Dmaj7/F, G♯m7♭5, C♯7♯9♯5, F♯maj9, G♯m7/A, Fm7♭5, A♯7♭9, D♯m11, D♯m9/A, Cm7♭5, F7♭9, A♯maj7♯11, Bm11/C, Amaj9, A♯m11/B, F♯m11, Fmaj7♯11, A♯m9, D♯13♯11, Dmaj9, G♯maj7♯11, Gm11.

Scales for Improvisation E bebop minor, E bebop.

Diatonic chords: See all chords in the key of E