Do Re MiC D E

Everybody's Song But My Own

Wheeler Kenny4/4waltz
F♯m9/B♭
G♯7♭13/B
C♯m11
Emaj7/B♭
G♯m11
Cmaj7/B♭
F♯m9/B♭
G♯7♭13/B
C♯m11
Emaj7/B♭
G♯m11
Bmaj7/F
A♯7♯9♯5
D♯maj9
Fm7/A
D♯maj9
Fm7/A
D♯maj9
Cm11
Cm9/A
Gmaj7♯11
G♯m11/C
F♯maj9
Gm11/B
F♯m9/B♭
G♯7♭13/B
C♯m11
Emaj7/B♭
G♯m11
Bmaj7/F
A♯7♯9♯5
D♯m11
Dmaj7♯11
C♯m11
C13♯11
Bmaj9
Cmaj7/B♭
Bmaj9
Cmaj7/B♭
Bmaj9
Cmaj7/B♭
Bmaj9
Cmaj7/B♭
Fmaj7♯11
Em11

Chord Diagrams — Everybody's Song But My Own in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯m9/B♭
EADGBE111123
EADGBE2314
7frEADGBEx21344
10frEADGBExx2413
G♯7♭13/B
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
11frEADGBE111134
C♯m11
EADGBE111x23
7frEADGBE111342
9frEADGBE111114
11frEADGBE11xx23
Emaj7/B♭
EADGBE333xx1
EADGBE312
4frEADGBE111x43
7frEADGBE111324
A♯m7♭5
EADGBE11xx24
EADGBEx1324x
5frEADGBE2x341x
8frEADGBE222xx1
D♯7♯9
EADGBExx234
5frEADGBEx2134x
8frEADGBE111x23
10frEADGBE2134xx
G♯m11
EADGBE111342
4frEADGBE111114
6frEADGBE11xx23
9frEADGBE11x334
Cmaj7/B♭
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
10frEADGBE333xx1
Bmaj7/F
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
9frEADGBE11333x
Fm7♭5
EADGBE222xx1
EADGBE1x23x
8frEADGBEx1324x
11frEADGBE2134x
A♯7♯9♯5
A♯ - D - E♯# - G♯ - B♯#
D♯maj9
3frEADGBE1111x4
5frEADGBEx2143x
8frEADGBE1111x4
11frEADGBExx2314
Fm7/A
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
Dm7♭5
3frEADGBE11x342
EADGBE111xx
5frEADGBEx1324x
8frEADGBEx1432
G7♭9
EADGBE111x23
EADGBE11324
4frEADGBE11xx23
9frEADGBE11x234
Cm11
EADGBE1111x2
EADGBE11x234
6frEADGBE111342
8frEADGBE111114
Cm9/A
EADGBEx1243
EADGBEx21344
6frEADGBEx13244
8frEADGBE111134
Am7♭5
4frEADGBE2x341x
EADGBEx23x
5frEADGBE111234
7frEADGBE222xx1
D7♭9
4frEADGBE11x234
2frEADGBExx431
5frEADGBE11x24
8frEADGBE3241xx
Gmaj7♯11
3frEADGBE111234
EADGBE111133
7frEADGBE11x423
10frEADGBE11x234
G♯m11/C
4frEADGBE111114
EADGBE111342
6frEADGBE11xx23
9frEADGBE11x334
F♯maj9
3frEADGBExx2143
EADGBE111243
EADGBE11x234
8frEADGBE22143x
Gm11/B
3frEADGBE111114
EADGBE2x341x
5frEADGBE11xx23
8frEADGBE11x234
D♯m11
EADGBE11xx34
4frEADGBE11x234
9frEADGBE111342
11frEADGBE111114
Dmaj7♯11
EADGBE11xx3
2frEADGBEx4231
5frEADGBE11x234
9frEADGBE111123
Gm9
EADGBE2341
3frEADGBE111134
6frEADGBE11xx2
8frEADGBEx21344
C13♯11
C - E - G - B♭ - D - F♯ - A
Bmaj9
EADGBE22143x
4frEADGBE11xx34
6frEADGBE11243x
8frEADGBExx2143
Fmaj7♯11
EADGBExx213
EADGBE12
5frEADGBE11x423
8frEADGBE11x234
Em11
EADGBE1
3frEADGBE321
5frEADGBE11x234
10frEADGBE111342

Explore More

Everybody's Song But My Own in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to G# (ascending whole step), G# to C# (ascending perfect fourth), C# to E (ascending minor third), E to A# (ascending tritone), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C (ascending major third), C to B (descending half step), B to F (ascending tritone), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to F (ascending whole step), F to D (descending minor third), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to C (ascending unison), C to A (descending minor third), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to G# (ascending half step), G# to F# (descending whole step), F# to G (ascending half step), G to D# (descending major third), D# to D (descending half step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to B (descending half step), B to F (ascending tritone), F to E (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to F# by whole step.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 52 bars · Form: ABAC

Chords: F♯m9/B♭, G♯7♭13/B, C♯m11, Emaj7/B♭, A♯m7♭5, D♯7♯9, G♯m11, Cmaj7/B♭, Bmaj7/F, Fm7♭5, A♯7♯9♯5, D♯maj9, Fm7/A, Dm7♭5, G7♭9, Cm11, Cm9/A, Am7♭5, D7♭9, Gmaj7♯11, G♯m11/C, F♯maj9, Gm11/B, D♯m11, Dmaj7♯11, Gm9, C13♯11, Bmaj9, Fmaj7♯11, Em11.

Scales for Improvisation C# bebop minor, C# bebop.

Diatonic chords: See all chords in the key of C#