Do Re MiC D E

Everybody's Song But My Own

Wheeler Kenny4/4waltz
Dm9/B♭
E7♭13/B
Am11
Cmaj7/B♭
Em11
G♯maj7/B♭
Dm9/B♭
E7♭13/B
Am11
Cmaj7/B♭
Em11
Gmaj7/F
F♯7♯9♯5
Bmaj9
C♯m7/A
Bmaj9
C♯m7/A
Bmaj9
G♯m11
G♯m9/A
D♯maj7♯11
Em11/C
Dmaj9
D♯m11/B
Dm9/B♭
E7♭13/B
Am11
Cmaj7/B♭
Em11
Gmaj7/F
F♯7♯9♯5
Bm11
A♯maj7♯11
Am11
G♯13♯11
Gmaj9
G♯maj7/B♭
Gmaj9
G♯maj7/B♭
Gmaj9
G♯maj7/B♭
Gmaj9
G♯maj7/B♭
C♯maj7♯11
Cm11

Chord Diagrams — Everybody's Song But My Own in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Dm9/B♭
3frEADGBEx21344
EADGBE132
5frEADGBEx1423
10frEADGBE111134
E7♭13/B
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
Am11
5frEADGBE111114
EADGBEx1
3frEADGBE111342
10frEADGBE11x234
Cmaj7/B♭
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
F♯m7♭5
4frEADGBE222xx1
EADGBE2341
9frEADGBEx1324x
10frEADGBE11xx24
B7♯9
5frEADGBE3241
EADGBEx2134x
7frEADGBE114432
8frEADGBExx2134
Em11
5frEADGBE11x234
EADGBE1
3frEADGBE321
10frEADGBE111342
G♯maj7/B♭
6frEADGBE11x333
4frEADGBE111423
9frEADGBEx3241x
11frEADGBE111324
Gmaj7/F
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324
C♯m7♭5
5frEADGBE11xx24
4frEADGBEx1324x
8frEADGBE2x341x
11frEADGBE222xx1
F♯7♯9♯5
F♯ - A♯ - D - E - A
Bmaj9
4frEADGBE11xx34
EADGBE22143x
6frEADGBE11243x
8frEADGBExx2143
C♯m7/A
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
A♯m7♭5
5frEADGBE2x341x
EADGBEx1324x
EADGBE11xx24
8frEADGBE222xx1
D♯7♭9
5frEADGBE11x234
EADGBExx24
6frEADGBE11x34
9frEADGBE3241xx
G♯m11
6frEADGBE11xx23
EADGBE111342
4frEADGBE111114
9frEADGBE11x334
G♯m9/A
7frEADGBE221341
EADGBE11143
4frEADGBE111134
9frEADGBEx21344
Fm7♭5
8frEADGBEx1324x
EADGBE1x23x
EADGBE222xx1
11frEADGBE2134x
A♯7♭9
6frEADGBE111x23
EADGBEx123
4frEADGBE3241xx
12frEADGBE11x234
D♯maj7♯11
6frEADGBE11x234
EADGBEx314x
3frEADGBE11x423
10frEADGBE111123
Em11/C
5frEADGBE11x234
EADGBE1
3frEADGBE321
10frEADGBE111342
Dmaj9
4frEADGBEx2143x
2frEADGBE1111x4
7frEADGBEx2314
10frEADGBE11x234
D♯m11/B
4frEADGBE11x234
EADGBE11xx34
9frEADGBE111342
11frEADGBE111114
Bm11
5frEADGBE111342
EADGBEx123
7frEADGBE111114
9frEADGBE1122xx
A♯maj7♯11
5frEADGBE111123
EADGBE11x234
6frEADGBE111234
10frEADGBE11x423
D♯m9
4frEADGBEx21344
7frEADGBExx2413
9frEADGBEx13244
11frEADGBE111134
G♯13♯11
G♯ - C - D♯ - F♯ - A♯ - D - F
Gmaj9
3frEADGBExx2314
EADGBE21
EADGBE111243
9frEADGBEx2143x
C♯maj7♯11
4frEADGBE11x234
EADGBEx42311
8frEADGBE111123
9frEADGBE111234
Cm11
EADGBE1111x2
EADGBE11x234
6frEADGBE111342
8frEADGBE111114

Explore More

Everybody's Song But My Own in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to E (ascending whole step), E to A (ascending perfect fourth), A to C (ascending minor third), C to F# (ascending tritone), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to G# (ascending major third), G# to G (descending half step), G to C# (ascending tritone), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to C# (ascending whole step), C# to A# (descending minor third), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to E (ascending half step), E to D (descending whole step), D to D# (ascending half step), D# to B (descending major third), B to A# (descending half step), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to G (descending half step), G to C# (ascending tritone), C# to C (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to D by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 52 bars · Form: ABAC

Chords: Dm9/B♭, E7♭13/B, Am11, Cmaj7/B♭, F♯m7♭5, B7♯9, Em11, G♯maj7/B♭, Gmaj7/F, C♯m7♭5, F♯7♯9♯5, Bmaj9, C♯m7/A, A♯m7♭5, D♯7♭9, G♯m11, G♯m9/A, Fm7♭5, A♯7♭9, D♯maj7♯11, Em11/C, Dmaj9, D♯m11/B, Bm11, A♯maj7♯11, D♯m9, G♯13♯11, Gmaj9, C♯maj7♯11, Cm11.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A