Do Re MiC D E

Everybody's Song But My Own

Wheeler Kenny4/4waltz
D♯m9/B♭
F7♭13/B
A♯m11
C♯maj7/B♭
Fm11
Amaj7/B♭
D♯m9/B♭
F7♭13/B
A♯m11
C♯maj7/B♭
Fm11
G♯maj7/F
G7♯9♯5
Cmaj9
Dm7/A
Cmaj9
Dm7/A
Cmaj9
Am11
Am9/A
Emaj7♯11
Fm11/C
D♯maj9
Em11/B
D♯m9/B♭
F7♭13/B
A♯m11
C♯maj7/B♭
Fm11
G♯maj7/F
G7♯9♯5
Cm11
Bmaj7♯11
A♯m11
A13♯11
G♯maj9
Amaj7/B♭
G♯maj9
Amaj7/B♭
G♯maj9
Amaj7/B♭
G♯maj9
Amaj7/B♭
Dmaj7♯11
C♯m11

Chord Diagrams — Everybody's Song But My Own in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯m9/B♭
4frEADGBEx21344
7frEADGBExx2413
9frEADGBEx13244
11frEADGBE111134
F7♭13/B
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
A♯m11
4frEADGBE111342
6frEADGBE111114
8frEADGBE11xx23
11frEADGBE11x234
C♯maj7/B♭
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
Gm7♭5
5frEADGBE222xx1
EADGBE3xx421
EADGBE2x341x
10frEADGBEx1324x
C7♯9
3frEADGBE11x32
EADGBEx2134x
8frEADGBE111324
9frEADGBExx2134
Fm11
EADGBE11xx23
EADGBE111114
6frEADGBE11x234
11frEADGBE111342
Amaj7/B♭
EADGBE111x4
EADGBEx213
5frEADGBE111423
7frEADGBE333x1
G♯maj7/F
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
Dm7♭5
3frEADGBE11x342
EADGBE111xx
5frEADGBEx1324x
8frEADGBEx1432
G7♯9♯5
G - B - D♯ - F - A♯
Cmaj9
EADGBEx3
EADGBE22143x
5frEADGBE11113
8frEADGBE11x234
Dm7/A
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x
7frEADGBE111234
9frEADGBE222xx1
E7♭9
EADGBE312
4frEADGBE1134
6frEADGBE11x234
10frEADGBE3241xx
Am11
EADGBEx1
3frEADGBE111342
5frEADGBE111114
10frEADGBE11x234
Am9/A
EADGBEx2413
5frEADGBE111134
8frEADGBE132
10frEADGBEx21344
F♯m7♭5
EADGBE2341
4frEADGBE222xx1
9frEADGBEx1324x
10frEADGBE11xx24
B7♭9
EADGBE11x234
5frEADGBE3241xx
7frEADGBE111x23
8frEADGBE11xx23
Emaj7♯11
EADGBE11234
4frEADGBE11x423
7frEADGBE11x234
11frEADGBE111123
Fm11/C
EADGBE111114
EADGBE11xx23
6frEADGBE11x234
11frEADGBE111342
D♯maj9
3frEADGBE1111x4
5frEADGBEx2143x
8frEADGBE1111x4
11frEADGBExx2314
Em11/B
3frEADGBE321
EADGBE1
5frEADGBE11x234
10frEADGBE111342
Cm11
EADGBE1111x2
EADGBE11x234
6frEADGBE111342
8frEADGBE111114
Bmaj7♯11
EADGBE11x234
6frEADGBE111123
7frEADGBE111234
11frEADGBE11x423
Em9
EADGBE1243
EADGBE24
5frEADGBEx21344
10frEADGBE11324
A13♯11
A - C♯ - E - G - B - D♯ - F♯
G♯maj9
EADGBE1111x4
3frEADGBE111243
4frEADGBE113224
10frEADGBE22143x
Dmaj7♯11
EADGBE11xx3
2frEADGBEx4231
5frEADGBE11x234
9frEADGBE111123
C♯m11
EADGBE111x23
7frEADGBE111342
9frEADGBE111114
11frEADGBE11xx23

Explore More

Everybody's Song But My Own in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to F (ascending whole step), F to A# (ascending perfect fourth), A# to C# (ascending minor third), C# to G (ascending tritone), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A (ascending major third), A to G# (descending half step), G# to D (ascending tritone), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to D (ascending whole step), D to B (descending minor third), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to F# (descending minor third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to F (ascending half step), F to D# (descending whole step), D# to E (ascending half step), E to C (descending major third), C to B (descending half step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to G# (descending half step), G# to D (ascending tritone), D to C# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to D# by whole step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 52 bars · Form: ABAC

Chords: D♯m9/B♭, F7♭13/B, A♯m11, C♯maj7/B♭, Gm7♭5, C7♯9, Fm11, Amaj7/B♭, G♯maj7/F, Dm7♭5, G7♯9♯5, Cmaj9, Dm7/A, Bm7♭5, E7♭9, Am11, Am9/A, F♯m7♭5, B7♭9, Emaj7♯11, Fm11/C, D♯maj9, Em11/B, Cm11, Bmaj7♯11, Em9, A13♯11, G♯maj9, Dmaj7♯11, C♯m11.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#