Do Re MiC D E

Emily

Johnny Mandel / Johnny Mercer(1964)3/4ballad

Chord Diagrams — Emily in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯Maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
D♯m9
4frEADGBEx21344
7frEADGBExx2413
9frEADGBEx13244
11frEADGBE111134
G♯13♭9
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213
G♯13
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213
C♯6
4frEADGBE3333x1
EADGBEx4231x
6frEADGBE111423
9frEADGBE11x324
C♯7♭9
4frEADGBEx1234
EADGBE11x234
7frEADGBE3241x
9frEADGBExx1324
G♯m7/C
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
F♯Maj7
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
F♯sus4
4frEADGBE11x234
EADGBE111234
9frEADGBE111234
11frEADGBE11xx24
F♯m6
4frEADGBE111x32
EADGBE2x1334
7frEADGBE11x324
8frEADGBEx2413x
A♯/C♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
Cm7
3frEADGBE111132
EADGBEx2134x
4frEADGBExx2314
8frEADGBE111113
F7♭9
EADGBE11xx23
EADGBE111423
7frEADGBE11x234
11frEADGBE3241xx
Cm7/E
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
8frEADGBE111113
D♯9
EADGBExx132
5frEADGBEx21334
10frEADGBE3142xx
11frEADGBE111324
D♯m7
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
G♯7♭9♯5
G♯ - C - E - F♯ - A
G♯7♯5
4frEADGBE1x234
6frEADGBExx1423
9frEADGBEx3241
11frEADGBE11x432
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
D9♯11
4frEADGBE11x234
EADGBExx123
7frEADGBEx3142
9frEADGBE111234
C♯Maj9
C♯aug7
4frEADGBE11x432
EADGBEx4321
7frEADGBE431x2
9frEADGBE1x234x
C♯13
4frEADGBE111134
EADGBEx4231
7frEADGBE222341
9frEADGBE111234
C7♭9♯5
C - E - G♯ - B♭ - D♭
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
Ddim7
4frEADGBE11x234
EADGBExx23
7frEADGBEx2431
10frEADGBE111234
A♯9
5frEADGBE11234x
EADGBEx1234
6frEADGBE111324
12frEADGBEx21333
A♯7♯5
6frEADGBE1x234x
EADGBE11x432
8frEADGBExx1423
12frEADGBEx213x4
Gm7♭5
5frEADGBE222xx1
EADGBE3xx421
EADGBE2x341x
10frEADGBEx1324x
F♯m9
7frEADGBEx21344
EADGBE2314
EADGBE111123
10frEADGBExx2413
C♯69
8frEADGBE111234
EADGBE11x432
EADGBE11x234
10frEADGBExx2134
G♯7♭9
10frEADGBE11x234
EADGBE111x2
4frEADGBE11xx23
5frEADGBE11xx23

Explore More

Emily in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to A# (descending minor third), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to G# (descending perfect fourth), G# to F# (descending whole step), F# to F# (ascending unison), F# to F# (ascending unison), F# to F# (ascending unison), F# to A# (ascending major third), A# to G (descending minor third), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to C (descending perfect fourth), C to D# (ascending minor third), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to G# (ascending unison), G# to D (ascending tritone), D to C# (descending half step), C# to C# (ascending unison), C# to C# (ascending unison), C# to C (descending half step), C to F (ascending perfect fourth), F to D (descending minor third), D to A# (descending major third), A# to A# (ascending unison), A# to G (descending minor third), G to F# (descending half step), F# to C# (descending perfect fourth), C# to G# (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to C# by perfect fourth.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad3/4 · 40 bars · Form: A

Chords: C♯Maj7, A♯m7, D♯m9, G♯13♭9, G♯13, C♯6, C♯7♭9, G♯m7/C, F♯Maj7, F♯, F♯sus4, F♯m6, A♯/C♯, Gm7, Cm7, F7♭9, Cm7/E, D♯9, D♯m7, G♯7♭9♯5, G♯7♯5, G♯7, D9♯11, C♯Maj9, C♯aug7, C♯13, C7♭9♯5, Fm7, Ddim7, A♯9, A♯7♯5, Gm7♭5, F♯m9, C♯69, G♯7♭9.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#