Emily in A

Johnny Mandel / Johnny Mercer(1964)swing
Do Re MiC D E
A
E13
E13♭9
Em7/A
F♯/A♯
G♯m7/C♯
E7♭9♯5
E7♯5
AMaj9
A♯9♯11
A13
Aaug7
G♯7♭9♯5
E13
F♯7♯5
E13
A69

Chord Diagrams — Emily in A (Guitar)

Display
FingerNoteDegree
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
Bm9
EADGBEx1234
3frEADGBE222x147frEADGBE11113410frEADGBE112234
E13
EADGBE213
EADGBE1235frEADGBE13427frEADGBE111134
E13♭9
EADGBE213
EADGBE1235frEADGBE13427frEADGBE111134
A6
EADGBE1111x
4frEADGBE2x143x5frEADGBE113x2410frEADGBEx4231x
Em7/A
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
A7♭9
EADGBE11x23
5frEADGBE1114236frEADGBE11xx2311frEADGBE11x234
Dsus4
EADGBExx123
3frEADGBEx3145frEADGBE11123410frEADGBE111234
D
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
DMaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
Dm6
EADGBExx21
3frEADGBE11x3245frEADGBEx13x249frEADGBE2222x1
F♯/A♯
6frEADGBE111432
EADGBE1113424frEADGBE11x2439frEADGBE111234
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
G♯m7/C♯
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
C♯7♭9
EADGBE11x234
4frEADGBEx12347frEADGBE3241x9frEADGBExx1324
B9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
E7♭9♯5
E - G♯ - C - D - F
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
E7♯5
EADGBE412
2frEADGBExx14237frEADGBE11x43212frEADGBE1x234x
AMaj9
A♯9♯11
EADGBEx123
5frEADGBE11123x8frEADGBExx123412frEADGBE11x234
A13
EADGBEx123
3frEADGBE42315frEADGBE11132411frEADGBE44x213
Aaug7
EADGBEx321
EADGBE11x235frEADGBE11x237frEADGBExx1423
G♯7♭9♯5
G♯ - C - E - F♯ - A
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
F♯9
EADGBE111324
3frEADGBExx21438frEADGBE22222111frEADGBE1111x2
A♯dim7
EADGBEx123
EADGBExx13246frEADGBE1112348frEADGBExx1324
F♯7♯5
EADGBE1x234x
4frEADGBExx14237frEADGBEx43129frEADGBE11x432
D♯m7♭5
EADGBE222xx1
6frEADGBEx1324x7frEADGBE11xx2410frEADGBE2x341x
Dm9
EADGBE132
3frEADGBE2222x15frEADGBEx142310frEADGBE111134
A69
EADGBE11x34
4frEADGBE1112346frEADGBE2222x111frEADGBE11x234
E7♭9
EADGBE312
4frEADGBE11346frEADGBE11x23410frEADGBE3241xx

Emily in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to F# (descending minor third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to E (descending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D (ascending unison), D to D (ascending unison), D to D (ascending unison), D to F# (ascending major third), F# to D# (descending minor third), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to B (descending whole step), B to B (ascending unison), B to E (ascending perfect fourth), E to E (ascending unison), E to E (ascending unison), E to A (ascending perfect fourth), A to A# (ascending half step), A# to A (descending half step), A to A (ascending unison), A to G# (descending half step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to A# (ascending major third), A# to F# (descending major third), F# to D# (descending minor third), D# to D (descending half step), D to A (descending perfect fourth), A to E (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing3/4 · 40 bars · Form: A

Chords: AMaj7, F♯m7, Bm9, E13, E13♭9, A6, Em7/A, A7♭9, Dsus4, D, DMaj7, Dm6, F♯/A♯, D♯m7, G♯m7, G♯m7/C♯, C♯7♭9, B9, Bm7, E7♭9♯5, E7, E7♯5, AMaj9, A♯9♯11, A13, Aaug7, G♯7♭9♯5, C♯m7, F♯9, A♯dim7, F♯7♯5, D♯m7♭5, Dm9, A69, E7♭9.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A