Emily in E

Johnny Mandel / Johnny Mercer(1964)ballad
Do Re MiC D E
A
B13♭9
B13
Bm7/E
C♯/F
D♯m7/G♯
B7♭9♯5
B7♯5
F9♯11
EMaj9
Eaug7
E13
D♯7♭9♯5
B13
C♯7♯5
B13
E69

Chord Diagrams — Emily in E (Guitar)

Display
FingerNoteDegree
EMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
F♯m9
EADGBE2314
EADGBE1111237frEADGBE2222x110frEADGBExx2413
B13♭9
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234
B13
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234
E6
EADGBE2314
EADGBE111345frEADGBEx4231x7frEADGBE3333x1
E7♭9
EADGBE312
4frEADGBE11346frEADGBE11x23410frEADGBE3241xx
Bm7/E
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
A
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
Asus4
EADGBEx123
EADGBExx15frEADGBE1113337frEADGBE11x234
Am6
EADGBEx2314
4frEADGBE2222x15frEADGBE1112347frEADGBE111x32
C♯/F
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
G♯7♭9
EADGBE111x2
4frEADGBE11xx235frEADGBE11xx2310frEADGBE11x234
D♯m7/G♯
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
F♯9
EADGBE111324
3frEADGBExx21438frEADGBE22222111frEADGBE1111x2
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
B7♭9♯5
B - D♯ - G - A - C
B7♯5
EADGBEx2134
2frEADGBEx2137frEADGBE1x234x9frEADGBExx1423
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
F9♯11
EADGBE123
3frEADGBExx12347frEADGBE11x2348frEADGBE111x23
EMaj9
Eaug7
EADGBE412
2frEADGBExx14237frEADGBE11x43212frEADGBE1x234x
E13
EADGBE213
EADGBE1235frEADGBE13427frEADGBE111134
D♯7♭9♯5
D♯ - G - B - C♯ - E
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
Fdim7
EADGBE1x23
EADGBE11xx347frEADGBE11123412frEADGBE3x142x
C♯9
EADGBE222221
8frEADGBE3142xx9frEADGBE11132410frEADGBExx2143
C♯7♯5
EADGBEx4321
4frEADGBE11x4327frEADGBE431x29frEADGBE1x234x
A♯m7♭5
EADGBEx1324x
EADGBE11xx245frEADGBE2x341x8frEADGBE222xx1
Am9
EADGBEx2413
5frEADGBE1111348frEADGBE13210frEADGBE2222x1
E69
EADGBE22221
6frEADGBE11x2349frEADGBE11111x11frEADGBE11134
B7♭9
EADGBE11x234
5frEADGBE3241xx7frEADGBE111x238frEADGBE11xx23

Emily in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to E (ascending unison), E to B (descending perfect fourth), B to A (descending whole step), A to A (ascending unison), A to A (ascending unison), A to A (ascending unison), A to C# (ascending major third), C# to A# (descending minor third), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to D# (descending perfect fourth), D# to F# (ascending minor third), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to B (ascending unison), B to B (ascending unison), B to F (ascending tritone), F to E (descending half step), E to E (ascending unison), E to E (ascending unison), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to F (descending minor third), F to C# (descending major third), C# to C# (ascending unison), C# to A# (descending minor third), A# to A (descending half step), A to E (descending perfect fourth), E to B (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to E by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad3/4 · 40 bars · Form: A

Chords: EMaj7, C♯m7, F♯m9, B13♭9, B13, E6, E7♭9, Bm7/E, AMaj7, A, Asus4, Am6, C♯/F, A♯m7, D♯m7, G♯7♭9, D♯m7/G♯, F♯9, F♯m7, B7♭9♯5, B7♯5, B7, F9♯11, EMaj9, Eaug7, E13, D♯7♭9♯5, G♯m7, Fdim7, C♯9, C♯7♯5, A♯m7♭5, Am9, E69, B7♭9.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E