Emily in C

Johnny Mandel / Johnny Mercer(1964)ballad
Do Re MiC D E
A
G13♭9
G13
Gm7/C
A/C♯
Bm7/E
G7♭9♯5
G7♯5
C♯9♯11
CMaj9
Caug7
C13
B7♭9♯5
G13
A7♯5
G13
C69

Chord Diagrams — Emily in C (Guitar)

Display
FingerNoteDegree
CMaj7
EADGBE231
3frEADGBE1113245frEADGBE111xx410frEADGBE333xx1
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
Dm9
EADGBE132
3frEADGBE2222x15frEADGBEx142310frEADGBE111134
G13♭9
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
C6
EADGBEx4231
3frEADGBE3333x17frEADGBE2x143x8frEADGBE11x324
C7♭9
EADGBE11x234
6frEADGBE3241xx8frEADGBE111x239frEADGBExx3142
Gm7/C
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
FMaj7
EADGBExx321
EADGBE1114233frEADGBE11x3338frEADGBE111324
F
EADGBE111342
3frEADGBE11x2435frEADGBE1114328frEADGBE111234
Fsus4
EADGBE111234
3frEADGBExx12348frEADGBE11123410frEADGBE11xx2x
Fm6
EADGBE1x234
3frEADGBE11xx326frEADGBE11x3249frEADGBExx2314
A/C♯
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
E7♭9
EADGBE312
4frEADGBE11346frEADGBE11x23410frEADGBE3241xx
Bm7/E
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
D9
4frEADGBE222221
7frEADGBEx12349frEADGBE11234x10frEADGBE111324
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
G7♭9♯5
G - B - D♯ - F - A♭
G7♯5
EADGBE4312
EADGBE1x234x5frEADGBExx142310frEADGBE11x432
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
C♯9♯11
EADGBEx213
4frEADGBE111x238frEADGBE1112349frEADGBE111123
CMaj9
Caug7
EADGBEx213x4
3frEADGBE11x4328frEADGBE1x23410frEADGBExx1423
C13
2frEADGBE44x213
3frEADGBE1111346frEADGBE2223418frEADGBE111324
B7♭9♯5
B - D♯ - G - A - C
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
C♯dim7
EADGBExx1324
3frEADGBE11x2348frEADGBE112x3x11frEADGBExx1324
A9
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
A7♯5
EADGBEx321
EADGBE11x235frEADGBE11x237frEADGBExx1423
F♯m7♭5
EADGBE2341
4frEADGBE222xx19frEADGBEx1324x10frEADGBE11xx24
Fm9
EADGBE111134
EADGBEx12346frEADGBE2222x111frEADGBE22221
C69
EADGBE11x334
3frEADGBEx1347frEADGBE1112349frEADGBE2222x1
G7♭9
EADGBE11324
EADGBE111x234frEADGBE11xx239frEADGBE11x234

Emily in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to A (descending minor third), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to G (ascending unison), G to C (ascending perfect fourth), C to C (ascending unison), C to G (descending perfect fourth), G to F (descending whole step), F to F (ascending unison), F to F (ascending unison), F to F (ascending unison), F to A (ascending major third), A to F# (descending minor third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to D (ascending minor third), D to D (ascending unison), D to G (ascending perfect fourth), G to G (ascending unison), G to G (ascending unison), G to C# (ascending tritone), C# to C (descending half step), C to C (ascending unison), C to C (ascending unison), C to B (descending half step), B to E (ascending perfect fourth), E to C# (descending minor third), C# to A (descending major third), A to A (ascending unison), A to F# (descending minor third), F# to F (descending half step), F to C (descending perfect fourth), C to G (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to C by perfect fourth.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad3/4 · 40 bars · Form: A

Chords: CMaj7, Am7, Dm9, G13♭9, G13, C6, C7♭9, Gm7/C, FMaj7, F, Fsus4, Fm6, A/C♯, F♯m7, Bm7, E7♭9, Bm7/E, D9, Dm7, G7♭9♯5, G7♯5, G7, C♯9♯11, CMaj9, Caug7, C13, B7♭9♯5, Em7, C♯dim7, A9, A7♯5, F♯m7♭5, Fm9, C69, G7♭9.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C