Do Re MiC D E

About A Quarter To Nine

Harry Warren / Al Dubin(1935)2/2swing

Chord Diagrams — About A Quarter To Nine in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
Em
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
Am
2frEADGBE444x1
EADGBEx231
5frEADGBE111134
7frEADGBEx1342
Am7♭5
4frEADGBE2x341x
EADGBEx23x
5frEADGBE111234
7frEADGBE222xx1
D7
3frEADGBEx3241x
EADGBExx213
5frEADGBE111134
10frEADGBE111132
Am7/D
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
G/D
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
G
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
Baug
7frEADGBE1x423x
EADGBEx21x
3frEADGBExx4231
12frEADGBE11x32
Am6/C
7frEADGBE111x32
EADGBEx2314
4frEADGBE2x1334
5frEADGBE111234
F♯7
7frEADGBEx3241x
EADGBE111132
4frEADGBE11x324
9frEADGBE111134
F♯m7♭5
9frEADGBEx1324x
EADGBE2341
4frEADGBE222xx1
10frEADGBE11xx24
G7
10frEADGBE111134
EADGBE321
3frEADGBE111132
5frEADGBE11x324
Dm7
10frEADGBE111113
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
C
8frEADGBE111342
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
D♯dim
9frEADGBE31x42x
EADGBExx12x3
4frEADGBEx41x23
6frEADGBEx1243x
Edim/C♯
10frEADGBE31x42x
EADGBExx12x3
5frEADGBEx41x23
7frEADGBEx1243x
G7/D
10frEADGBE111134
EADGBE321
3frEADGBE111132
5frEADGBE11x324
Edim/G
10frEADGBE31x42x
EADGBExx12x3
5frEADGBEx41x23
7frEADGBEx1243x
C/E
8frEADGBE111342
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
D♯7
8frEADGBE111xx2
EADGBExx1324
6frEADGBE111x34
11frEADGBE111132
G♯
8frEADGBE111432
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
Fm
8frEADGBE111342
EADGBE111134
3frEADGBExx1342
10frEADGBE1142xx
Em/C♯
7frEADGBE111342
EADGBE23
2frEADGBE11342
9frEADGBE4312xx
Bm7
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
Bm
7frEADGBE111134
EADGBE111342
9frEADGBExx1342
10frEADGBExx3241
E7
7frEADGBE111134
EADGBE21
5frEADGBEx3241x
9frEADGBE111xx2
A7
7frEADGBEx1324
EADGBEx23
EADGBE111x2
5frEADGBE111132
Edim
7frEADGBEx1243x
EADGBExx12x3
5frEADGBEx41x23
10frEADGBE31x42x

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About A Quarter To Nine in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to D (ascending perfect fourth), D to A (descending perfect fourth), A to G (descending whole step), G to G (ascending unison), G to B (ascending major third), B to A (descending whole step), A to F# (descending minor third), F# to F# (ascending unison), F# to G (ascending half step), G to D (descending perfect fourth), D to C (descending whole step), C to D# (ascending minor third), D# to E (ascending half step), E to G (ascending minor third), G to E (descending minor third), E to C (descending major third), C to D# (ascending minor third), D# to G# (ascending perfect fourth), G# to F (descending minor third), F to E (descending half step), E to B (descending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to E (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to B by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 41 bars · Form: AB

Chords: B7, Em, Am, Am7♭5, D7, Am7/D, G/D, G, Baug, Am6/C, F♯7, F♯m7♭5, G7, Dm7, C, D♯dim, Edim/C♯, G7/D, Edim/G, C/E, D♯7, G♯, Fm, Em/C♯, Bm7, Bm, E7, A7, Edim.

Scales for Improvisation E bebop minor, E bebop.

Diatonic chords: See all chords in the key of E