Do Re MiC D E

About A Quarter To Nine

Harry Warren / Al Dubin(1935)2/2swing

Chord Diagrams — About A Quarter To Nine in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
G♯m
6frEADGBExx1342
4frEADGBE111134
7frEADGBExx3241
11frEADGBE111342
C♯m
6frEADGBE1132x4
EADGBEx4213x
4frEADGBE111342
9frEADGBE111134
C♯m7♭5
8frEADGBE2x341x
4frEADGBEx1324x
5frEADGBE11xx24
11frEADGBE222xx1
F♯7
7frEADGBEx3241x
EADGBE111132
4frEADGBE11x324
9frEADGBE111134
C♯m7/D
9frEADGBE111114
4frEADGBE111x32
5frEADGBExx2314
11frEADGBExx1423
B/D
9frEADGBE11x243
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
B
9frEADGBE11x243
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
D♯aug
8frEADGBE11432x
3frEADGBExx4231
4frEADGBE11x32x
11frEADGBE1x423x
C♯m6/C
8frEADGBE2x134x
EADGBE11x324
5frEADGBExx2314
9frEADGBE111234
A♯7
8frEADGBE11x324
EADGBE111x34
6frEADGBE111132
11frEADGBEx3241x
A♯m7♭5
8frEADGBE222xx1
EADGBEx1324x
EADGBE11xx24
5frEADGBE2x341x
B7
7frEADGBE111132
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
F♯m7
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314
E
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432
Gdim
8frEADGBEx12x32
EADGBE31x42x
5frEADGBExx12x3
10frEADGBEx1243x
G♯dim/C♯
9frEADGBEx41x23
EADGBE31x42x
6frEADGBExx12x3
11frEADGBEx1243x
B7/D
7frEADGBE111132
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
G♯dim/G
6frEADGBExx12x3
EADGBE31x42x
9frEADGBEx41x23
11frEADGBEx1243x
E/E
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432
G7
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
Am
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
G♯m/C♯
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
D♯m
6frEADGBE111342
EADGBExx1342
EADGBExx3241
11frEADGBE111134
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
C♯7
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132
G♯dim
6frEADGBExx12x3
EADGBE31x42x
9frEADGBEx41x23
11frEADGBEx1243x

Explore More

About A Quarter To Nine in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to C# (descending perfect fourth), C# to B (descending whole step), B to B (ascending unison), B to D# (ascending major third), D# to C# (descending whole step), C# to A# (descending minor third), A# to A# (ascending unison), A# to B (ascending half step), B to F# (descending perfect fourth), F# to E (descending whole step), E to G (ascending minor third), G to G# (ascending half step), G# to B (ascending minor third), B to G# (descending minor third), G# to E (descending major third), E to G (ascending minor third), G to C (ascending perfect fourth), C to A (descending minor third), A to G# (descending half step), G# to D# (descending perfect fourth), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to D# by perfect fourth.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 41 bars · Form: AB

Chords: D♯7, G♯m, C♯m, C♯m7♭5, F♯7, C♯m7/D, B/D, B, D♯aug, C♯m6/C, A♯7, A♯m7♭5, B7, F♯m7, E, Gdim, G♯dim/C♯, B7/D, G♯dim/G, E/E, G7, C, Am, G♯m/C♯, D♯m7, D♯m, G♯7, C♯7, G♯dim.

Scales for Improvisation G# bebop minor, G# bebop.

Diatonic chords: See all chords in the key of G#