Do Re MiC D E

About A Quarter To Nine

Harry Warren / Al Dubin(1935)2/2swing

Chord Diagrams — About A Quarter To Nine in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
F♯m
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342
Bm
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x
7frEADGBE111234
9frEADGBE222xx1
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
Bm7/D
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
A/D
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
A
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
C♯aug
EADGBE11x234
4frEADGBE111134
6frEADGBE11432x
9frEADGBE11x423
Bm6/C
EADGBExx2314
EADGBE2314
6frEADGBE2x134x
7frEADGBE111234
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
G♯m7♭5
EADGBE2x341x
EADGBExx13
6frEADGBE222xx1
11frEADGBEx1324x
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
Em7
EADGBE2
EADGBE11423
7frEADGBE111132
8frEADGBExx2314
D
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
Fdim
EADGBExx12x3
6frEADGBEx41x23
8frEADGBEx1243x
11frEADGBE31x42x
F♯dim/C♯
4frEADGBExx12x3
EADGBE2x31x
7frEADGBEx41x23
9frEADGBEx1243x
A7/D
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324
F♯dim/G
4frEADGBExx12x3
EADGBE2x31x
7frEADGBEx41x23
9frEADGBEx1243x
D/E
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
Gm
3frEADGBE111134
EADGBE2134
5frEADGBExx1342
10frEADGBE111342
F♯m/C♯
EADGBE111134
4frEADGBE11x342
5frEADGBExx3241
9frEADGBE111342
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
F♯dim
4frEADGBExx12x3
EADGBE2x31x
7frEADGBEx41x23
9frEADGBEx1243x

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About A Quarter To Nine in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to A (descending whole step), A to A (ascending unison), A to C# (ascending major third), C# to B (descending whole step), B to G# (descending minor third), G# to G# (ascending unison), G# to A (ascending half step), A to E (descending perfect fourth), E to D (descending whole step), D to F (ascending minor third), F to F# (ascending half step), F# to A (ascending minor third), A to F# (descending minor third), F# to D (descending major third), D to F (ascending minor third), F to A# (ascending perfect fourth), A# to G (descending minor third), G to F# (descending half step), F# to C# (descending perfect fourth), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to F# (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to C# by perfect fourth.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 41 bars · Form: AB

Chords: C♯7, F♯m, Bm, Bm7♭5, E7, Bm7/D, A/D, A, C♯aug, Bm6/C, G♯7, G♯m7♭5, A7, Em7, D, Fdim, F♯dim/C♯, A7/D, F♯dim/G, D/E, F7, A♯, Gm, F♯m/C♯, C♯m7, C♯m, F♯7, B7, F♯dim.

Scales for Improvisation F# bebop minor, F# bebop.

Diatonic chords: See all chords in the key of F#