About A Quarter To Nine in A

Harry Warren / Al Dubin(1935)swing
Do Re MiC D E
A
B
C/G
Dm7/G
Dm6/F
C7/G
Adim/F♯
C7/G
Adim/C
F/A
Am/F♯
C7/G
Adim/F♯
C7/G

Chord Diagrams — About A Quarter To Nine in A (Guitar)

Display
FingerNoteDegree
Am
EADGBEx231
2frEADGBE444x15frEADGBE1111347frEADGBEx1342
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
Dm
EADGBExx231
5frEADGBE1113426frEADGBEx4231x10frEADGBE111134
Dm7♭5
EADGBE111xx
3frEADGBE11x3425frEADGBEx1324x8frEADGBEx1432
C/G
3frEADGBE111234
EADGBEx3215frEADGBE111xx48frEADGBE111342
Dm7/G
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
C
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
Dm6/F
EADGBExx21
3frEADGBE11x3245frEADGBEx13x249frEADGBE2222x1
Eaug
EADGBE4312
5frEADGBE11x32x7frEADGBEx3211x9frEADGBE11432
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x7frEADGBE1112349frEADGBE222xx1
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
F
EADGBE111342
3frEADGBE11x2435frEADGBE1114328frEADGBE111234
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
G♯dim
EADGBE31x42x
6frEADGBExx12x39frEADGBEx41x2311frEADGBEx1243x
C7/G
3frEADGBE111134
EADGBEx32415frEADGBE111xx28frEADGBE111132
Adim/F♯
EADGBEx132x
3frEADGBE31x42x7frEADGBExx12x310frEADGBEx41x23
Adim/C
EADGBEx132x
3frEADGBE31x42x7frEADGBExx12x310frEADGBEx41x23
F/A
5frEADGBE111432
EADGBE1113423frEADGBE11x2438frEADGBE111234
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
C♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
A♯m
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
Am/F♯
EADGBEx231
2frEADGBE444x15frEADGBE1111347frEADGBEx1342
Em
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
Adim
EADGBEx132x
3frEADGBE31x42x7frEADGBExx12x310frEADGBEx41x23

About A Quarter To Nine in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to E (descending perfect fourth), E to D (descending whole step), D to D (ascending unison), D to C (descending whole step), C to D (ascending whole step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to D (ascending whole step), D to E (ascending whole step), E to B (descending perfect fourth), B to B (ascending unison), B to C (ascending half step), C to F (ascending perfect fourth), F to G (ascending whole step), G to G# (ascending half step), G# to C (ascending major third), C to A (descending minor third), A to A (ascending unison), A to F (descending major third), F to G# (ascending minor third), G# to C# (ascending perfect fourth), C# to A# (descending minor third), A# to A (descending half step), A to E (descending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to A (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to A by unison.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 41 bars · Form: AB

Chords: Am, E7, Dm, Dm7♭5, C/G, Dm7/G, G7, C, Dm6/F, Eaug, B7, Bm7♭5, C7, F, Gm7, G♯dim, C7/G, Adim/F♯, Adim/C, F/A, G♯7, C♯, A♯m, Am/F♯, Em, Em7, A7, D7, Adim.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A