Do Re MiC D E

About A Quarter To Nine

Harry Warren / Al Dubin(1935)2/2swing

Chord Diagrams — About A Quarter To Nine in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
Am
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
Dm
5frEADGBE111342
EADGBExx231
6frEADGBEx4231x
10frEADGBE111134
Dm7♭5
5frEADGBEx1324x
EADGBE111xx
3frEADGBE11x342
8frEADGBEx1432
G7
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
Dm7/D
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
C/D
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
Eaug
5frEADGBE11x32x
EADGBE4312
7frEADGBEx3211x
9frEADGBE11432
Dm6/C
5frEADGBEx13x24
EADGBExx21
3frEADGBE11x324
9frEADGBE2x1333
B7
7frEADGBE111132
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
Bm7♭5
7frEADGBE111234
EADGBEx1324x
6frEADGBE2x341x
9frEADGBE222xx1
C7
8frEADGBE111132
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
Gm7
8frEADGBE11x234
3frEADGBE111113
5frEADGBE11x423
10frEADGBE111132
F
8frEADGBE111234
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
G♯dim
9frEADGBEx41x23
EADGBE31x42x
6frEADGBExx12x3
11frEADGBEx1243x
Adim/C♯
10frEADGBEx41x23
EADGBEx132x
3frEADGBE31x42x
7frEADGBExx12x3
C7/D
8frEADGBE111132
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
Adim/G
7frEADGBExx12x3
EADGBEx132x
3frEADGBE31x42x
10frEADGBEx41x23
F/E
8frEADGBE111234
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
C♯
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
A♯m
6frEADGBE111134
EADGBE11x342
6frEADGBE111xx3
8frEADGBExx1342
Am/C♯
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
Em7
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
Em
7frEADGBE111342
EADGBE23
2frEADGBE11342
9frEADGBE4312xx
A7
7frEADGBEx1324
EADGBEx23
EADGBE111x2
5frEADGBE111132
D7
10frEADGBE111132
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
Adim
10frEADGBEx41x23
EADGBEx132x
3frEADGBE31x42x
7frEADGBExx12x3

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About A Quarter To Nine in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to D (descending perfect fourth), D to C (descending whole step), C to C (ascending unison), C to E (ascending major third), E to D (descending whole step), D to B (descending minor third), B to B (ascending unison), B to C (ascending half step), C to G (descending perfect fourth), G to F (descending whole step), F to G# (ascending minor third), G# to A (ascending half step), A to C (ascending minor third), C to A (descending minor third), A to F (descending major third), F to G# (ascending minor third), G# to C# (ascending perfect fourth), C# to A# (descending minor third), A# to A (descending half step), A to E (descending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to A (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to E by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 41 bars · Form: AB

Chords: E7, Am, Dm, Dm7♭5, G7, Dm7/D, C/D, C, Eaug, Dm6/C, B7, Bm7♭5, C7, Gm7, F, G♯dim, Adim/C♯, C7/D, Adim/G, F/E, G♯7, C♯, A♯m, Am/C♯, Em7, Em, A7, D7, Adim.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A