Do Re MiC D E

O Bêbado E A Equilibrista

João Bosco - Aldir Blanc4/4samba
G♯69
C♯13
G♯maj7/G♯
%
A♯mMaj9
E13
D♯13
%
D♯13
G♯69
D♯13
G♯69
%
A♯m7/E
%
G♯maj9
%
A♯m7/E
%
A♯mMaj9
C♯13
A♯13
A♯7♯5
F♯13
D♯13
G♯69
G♯69
C♯13
G♯maj7/G♯
%
A♯mMaj9
E13
D♯13
%
D♯13
G♯69
D♯13
G♯69
%
A♯m7/E
%
G♯maj9
%
A♯m7/E
%
A♯mMaj9
C♯13
A♯13
A♯7♯5
F♯13
D♯13
G♯69
F♯13
F13
%
C♯13
A♯13
D♯13♭9
G♯69

Chord Diagrams — O Bêbado E A Equilibrista in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯69
5frEADGBExx2134
EADGBE11111x
EADGBE111234
10frEADGBE11x234
C♯13
4frEADGBE111134
EADGBEx4231
7frEADGBE222341
9frEADGBE111234
G♯maj7/G♯
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
C♯maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
Cm7♭5
4frEADGBE11xx24
EADGBEx1324x
8frEADGBE111234
10frEADGBE333xx1
F7♭9
EADGBE11xx23
EADGBE111423
7frEADGBE11x234
11frEADGBE3241xx
A♯mMaj9
A♯ - C♯ - F - A - C
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
Cm7
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
8frEADGBE111113
E13
EADGBE213
EADGBE123
5frEADGBE1342
7frEADGBE111134
D♯13
5frEADGBE44x213
6frEADGBE111134
9frEADGBE11423
11frEADGBE111234
A♯m9
6frEADGBE111134
2frEADGBExx2413
4frEADGBE113x24
11frEADGBEx2134x
F♯7
7frEADGBEx3241x
EADGBE111132
4frEADGBE11x324
9frEADGBE111134
F7
8frEADGBE111134
EADGBE111132
3frEADGBE11x324
10frEADGBE111xx2
E7
9frEADGBE111xx2
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
D♯7
8frEADGBE111xx2
EADGBExx1324
6frEADGBE111x34
11frEADGBE111132
A♯m7/E
8frEADGBE11x423
EADGBE111x32
EADGBExx2314
6frEADGBE111113
G♯maj9
10frEADGBE22143x
EADGBE1111x4
3frEADGBE111243
4frEADGBE113224
F♯6
9frEADGBE3333x1
EADGBE2x143x
EADGBE11x324
4frEADGBE111x34
C♯m9
9frEADGBE111134
EADGBEx21344
5frEADGBE222x14
7frEADGBEx13244
F♯9
8frEADGBE221334
EADGBE111324
3frEADGBExx2143
11frEADGBE1111x2
C♯m7
9frEADGBE111114
4frEADGBE111x32
5frEADGBExx2314
11frEADGBExx1423
G7
10frEADGBE111134
EADGBE321
3frEADGBE111132
5frEADGBE11x324
A♯13
12frEADGBE44x213
EADGBE44x12
4frEADGBE1132
6frEADGBE111234
A♯7♯5
12frEADGBEx213x4
EADGBE11x432
6frEADGBE1x234x
8frEADGBExx1423
F♯13
9frEADGBE111134
EADGBE2314
EADGBE111234
7frEADGBEx4231
F13
8frEADGBE111134
EADGBE111324
EADGBE111234
7frEADGBE44x213
F7♯9
7frEADGBEx2134x
EADGBE111324
EADGBExx2134
10frEADGBE111x23
A♯7
8frEADGBE11x324
EADGBE111x34
6frEADGBE111132
11frEADGBEx3241x
D♯13♭9
9frEADGBE11423
5frEADGBE44x213
6frEADGBE111134
11frEADGBE111234

Explore More

O Bêbado E A Equilibrista in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to C (ascending major third), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to C (ascending whole step), C to E (ascending major third), E to D# (descending half step), D# to A# (descending perfect fourth), A# to F# (descending major third), F# to F (descending half step), F to E (descending half step), E to D# (descending half step), D# to A# (descending perfect fourth), A# to G# (descending whole step), G# to F# (descending whole step), F# to C# (descending perfect fourth), C# to F# (ascending perfect fourth), F# to C# (descending perfect fourth), C# to G (ascending tritone), G to A# (ascending minor third), A# to A# (ascending unison), A# to F# (descending major third), F# to F (descending half step), F to F (ascending unison), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to G# by perfect fourth.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 121 bars · Form: AB

Chords: G♯69, C♯13, G♯maj7/G♯, C♯maj7, G♯maj7, Cm7♭5, F7♭9, A♯mMaj9, A♯m7, Cm7, E13, D♯13, A♯m9, F♯7, F7, E7, D♯7, A♯m7/E, G♯maj9, F♯6, C♯m9, F♯9, C♯m7, G7, A♯13, A♯7♯5, F♯13, F13, F7♯9, A♯7, D♯13♭9.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#