Do Re MiC D E

O Bêbado E A Equilibrista

João Bosco - Aldir Blanc4/4samba
D♯69
G♯13
D♯maj7/G♯
%
FmMaj9
B13
A♯13
%
A♯13
D♯69
A♯13
D♯69
%
Fm7/E
%
D♯maj9
%
Fm7/E
%
FmMaj9
G♯13
F13
F7♯5
C♯13
A♯13
D♯69
D♯69
G♯13
D♯maj7/G♯
%
FmMaj9
B13
A♯13
%
A♯13
D♯69
A♯13
D♯69
%
Fm7/E
%
D♯maj9
%
Fm7/E
%
FmMaj9
G♯13
F13
F7♯5
C♯13
A♯13
D♯69
C♯13
C13
%
G♯13
F13
A♯13♭9
D♯69

Chord Diagrams — O Bêbado E A Equilibrista in D# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯69
5frEADGBE11x234
EADGBExx234
EADGBE1111x2
10frEADGBE111234
G♯13
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213
D♯maj7/G♯
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
D♯maj7
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
Gm7♭5
EADGBE2x341x
EADGBE3xx421
5frEADGBE222xx1
10frEADGBEx1324x
C7♭9
EADGBE11x234
6frEADGBE3241xx
8frEADGBE111x23
9frEADGBExx3142
FmMaj9
F - A♭ - C - E - G
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
B13
EADGBE111134
EADGBE44x213
4frEADGBE111432
7frEADGBE111234
A♯13
EADGBE44x12
4frEADGBE1132
6frEADGBE111234
12frEADGBE44x213
Fm9
EADGBE111134
EADGBEx1234
6frEADGBEx21344
11frEADGBE21344
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
C7
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
A♯7
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x
Fm7/E
8frEADGBE111132
EADGBE111113
3frEADGBExx1423
9frEADGBExx2314
D♯maj9
8frEADGBE1111x4
3frEADGBE1111x4
5frEADGBEx2143x
11frEADGBExx2314
C♯6
6frEADGBE111423
EADGBEx4231x
4frEADGBE3333x1
9frEADGBE11x324
G♯m9
7frEADGBE221341
EADGBE11143
4frEADGBE111134
9frEADGBEx21344
C♯9
8frEADGBE3142xx
EADGBE221334
9frEADGBE111324
10frEADGBExx2143
G♯m7
9frEADGBE11x23x
4frEADGBE111113
6frEADGBE11x423
11frEADGBE111132
D7
10frEADGBE111132
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
F13
8frEADGBE111134
EADGBE111324
EADGBE111234
7frEADGBE44x213
F7♯5
8frEADGBE11x432
EADGBE1234x
3frEADGBExx1423
12frEADGBE213x4x
C♯13
9frEADGBE111234
EADGBEx4231
4frEADGBE111134
7frEADGBE222341
C13
8frEADGBE111324
2frEADGBE44x213
3frEADGBE111134
6frEADGBE222341
C7♯9
8frEADGBE111324
EADGBEx2134x
3frEADGBE11x32
9frEADGBExx2134
F7
8frEADGBE111134
EADGBE111132
3frEADGBE11x324
10frEADGBE111xx2
A♯13♭9
6frEADGBE111234
EADGBE44x12
4frEADGBE1132
12frEADGBE44x213

Explore More

O Bêbado E A Equilibrista in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to G# (ascending perfect fourth), G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth), G# to D# (descending perfect fourth), D# to G (ascending major third), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to F (ascending unison), F to G (ascending whole step), G to B (ascending major third), B to A# (descending half step), A# to F (descending perfect fourth), F to C# (descending major third), C# to C (descending half step), C to B (descending half step), B to A# (descending half step), A# to F (descending perfect fourth), F to D# (descending whole step), D# to C# (descending whole step), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to D (ascending tritone), D to F (ascending minor third), F to F (ascending unison), F to C# (descending major third), C# to C (descending half step), C to C (ascending unison), C to F (ascending perfect fourth), F to A# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to D# by perfect fourth.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 121 bars · Form: AB

Chords: D♯69, G♯13, D♯maj7/G♯, G♯maj7, D♯maj7, Gm7♭5, C7♭9, FmMaj9, Fm7, Gm7, B13, A♯13, Fm9, C♯7, C7, B7, A♯7, Fm7/E, D♯maj9, C♯6, G♯m9, C♯9, G♯m7, D7, F13, F7♯5, C♯13, C13, C7♯9, F7, A♯13♭9.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#