Do Re MiC D E

O Bêbado E A Equilibrista

João Bosco - Aldir Blanc4/4samba
C♯69
F♯13
C♯maj7/G♯
%
D♯mMaj9
A13
G♯13
%
G♯13
C♯69
G♯13
C♯69
%
D♯m7/E
%
C♯maj9
%
D♯m7/E
%
D♯mMaj9
F♯13
D♯13
D♯7♯5
B13
G♯13
C♯69
C♯69
F♯13
C♯maj7/G♯
%
D♯mMaj9
A13
G♯13
%
G♯13
C♯69
G♯13
C♯69
%
D♯m7/E
%
C♯maj9
%
D♯m7/E
%
D♯mMaj9
F♯13
D♯13
D♯7♯5
B13
G♯13
C♯69
B13
A♯13
%
F♯13
D♯13
G♯13♭9
C♯69

Chord Diagrams — O Bêbado E A Equilibrista in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯69
EADGBE11x234
EADGBE11x432
8frEADGBE111234
10frEADGBExx2134
F♯13
EADGBE111234
EADGBE2314
7frEADGBEx4231
9frEADGBE111134
C♯maj7/G♯
EADGBE111x43
4frEADGBE111324
6frEADGBE11xxx3
9frEADGBE1x342x
F♯maj7
EADGBE111423
4frEADGBE11x333
6frEADGBE111x43
9frEADGBE111324
C♯maj7
EADGBE111x43
4frEADGBE111324
6frEADGBE11xxx3
9frEADGBE1x342x
Fm7♭5
EADGBE1x23x
EADGBE222xx1
8frEADGBEx1324x
11frEADGBE2134x
A♯7♭9
EADGBEx123
4frEADGBE3241xx
6frEADGBE111x23
12frEADGBE11x234
D♯mMaj9
D♯ - F♯ - A♯ - D - F
D♯m7
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
A13
EADGBEx123
3frEADGBE4231
5frEADGBE111324
11frEADGBE44x213
G♯13
EADGBE111432
4frEADGBE111324
4frEADGBE111234
10frEADGBE44x213
D♯m9
4frEADGBEx21344
7frEADGBExx2413
9frEADGBEx13244
11frEADGBE111134
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
A♯7
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x
A7
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
D♯m7/E
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
C♯maj9
8frEADGBE111243
EADGBE1111x4
3frEADGBEx2143x
10frEADGBExx2143
B6
7frEADGBE1x324x
EADGBEx312x
EADGBE3333x1
9frEADGBE11xx34
F♯m9
7frEADGBEx21344
EADGBE2314
EADGBE111123
10frEADGBExx2413
B9
8frEADGBExx2143
EADGBEx21334
4frEADGBE111432
7frEADGBE111324
F♯m7
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314
C7
8frEADGBE111132
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
D♯13
9frEADGBE11423
5frEADGBE44x213
6frEADGBE111134
11frEADGBE111234
D♯7♯5
9frEADGBE3241
EADGBExx1423
6frEADGBE11x432
11frEADGBE1x234x
B13
7frEADGBE111234
EADGBE44x213
EADGBE111134
4frEADGBE111432
A♯13
6frEADGBE111234
EADGBE44x12
4frEADGBE1132
12frEADGBE44x213
A♯7♯9
6frEADGBE114432
EADGBEx123x
7frEADGBExx2134
12frEADGBEx2134x
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
G♯13♭9
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213

Explore More

O Bêbado E A Equilibrista in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to F# (ascending perfect fourth), F# to C# (descending perfect fourth), C# to F# (ascending perfect fourth), F# to C# (descending perfect fourth), C# to F (ascending major third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to F (ascending whole step), F to A (ascending major third), A to G# (descending half step), G# to D# (descending perfect fourth), D# to B (descending major third), B to A# (descending half step), A# to A (descending half step), A to G# (descending half step), G# to D# (descending perfect fourth), D# to C# (descending whole step), C# to B (descending whole step), B to F# (descending perfect fourth), F# to B (ascending perfect fourth), B to F# (descending perfect fourth), F# to C (ascending tritone), C to D# (ascending minor third), D# to D# (ascending unison), D# to B (descending major third), B to A# (descending half step), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to C# by perfect fourth.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 121 bars · Form: AB

Chords: C♯69, F♯13, C♯maj7/G♯, F♯maj7, C♯maj7, Fm7♭5, A♯7♭9, D♯mMaj9, D♯m7, Fm7, A13, G♯13, D♯m9, B7, A♯7, A7, G♯7, D♯m7/E, C♯maj9, B6, F♯m9, B9, F♯m7, C7, D♯13, D♯7♯5, B13, A♯13, A♯7♯9, D♯7, G♯13♭9.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#