Do Re MiC D E

O Bêbado E A Equilibrista

João Bosco - Aldir Blanc4/4samba

Chord Diagrams — O Bêbado E A Equilibrista in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A69
4frEADGBE111234
EADGBE11x34
6frEADGBEx22134
11frEADGBE11x234
D13
5frEADGBE111134
EADGBExx412
8frEADGBE4231
10frEADGBE1x234x
Amaj7/G♯
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
Dmaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
C♯m7♭5
5frEADGBE11xx24
4frEADGBEx1324x
8frEADGBE2x341x
11frEADGBE222xx1
F♯7♭9
3frEADGBE11xx23
EADGBE2134
8frEADGBE11x234
12frEADGBE3241xx
BmMaj9
B - D - F♯ - A♯ - C♯
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
F13
EADGBE111324
EADGBE111234
7frEADGBE44x213
8frEADGBE111134
E13
EADGBE213
EADGBE123
5frEADGBE1342
7frEADGBE111134
Bm9
EADGBEx1234
3frEADGBE222x14
7frEADGBE111134
10frEADGBE112234
G7
EADGBE321
3frEADGBE111132
5frEADGBE11x324
10frEADGBE111134
F♯7
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
F7
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
Bm7/E
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
Amaj9
EADGBE11x34
4frEADGBE11243
5frEADGBEx2314
11frEADGBE22143x
G6
EADGBE2x143x
EADGBE21
5frEADGBE111x34
10frEADGBE3333x1
Dm9
3frEADGBEx21344
EADGBE132
5frEADGBEx1423
10frEADGBE111134
G9
3frEADGBE111324
EADGBE31
EADGBE11234x
9frEADGBE221334
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
B13
4frEADGBE111432
EADGBE44x213
EADGBE111134
7frEADGBE111234
B7♯5
2frEADGBEx213
EADGBEx2134
7frEADGBE1x234x
9frEADGBExx1423
G13
3frEADGBE111324
EADGBE321
3frEADGBE11x234
9frEADGBEx21334
F♯13
EADGBE111234
EADGBE2314
7frEADGBEx4231
9frEADGBE111134
F♯7♯9
2frEADGBE111324
EADGBE213334
3frEADGBExx2134
8frEADGBEx2134x
B7
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132
E13♭9
EADGBE213
EADGBE123
5frEADGBE1342
7frEADGBE111134

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O Bêbado E A Equilibrista in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to D (ascending perfect fourth), D to A (descending perfect fourth), A to D (ascending perfect fourth), D to A (descending perfect fourth), A to C# (ascending major third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to C# (ascending whole step), C# to F (ascending major third), F to E (descending half step), E to B (descending perfect fourth), B to G (descending major third), G to F# (descending half step), F# to F (descending half step), F to E (descending half step), E to B (descending perfect fourth), B to A (descending whole step), A to G (descending whole step), G to D (descending perfect fourth), D to G (ascending perfect fourth), G to D (descending perfect fourth), D to G# (ascending tritone), G# to B (ascending minor third), B to B (ascending unison), B to G (descending major third), G to F# (descending half step), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to E (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 121 bars · Form: AB

Chords: A69, D13, Amaj7/G♯, Dmaj7, Amaj7, C♯m7♭5, F♯7♭9, BmMaj9, Bm7, C♯m7, F13, E13, Bm9, G7, F♯7, F7, E7, Bm7/E, Amaj9, G6, Dm9, G9, Dm7, G♯7, B13, B7♯5, G13, F♯13, F♯7♯9, B7, E13♭9.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A