Do Re MiC D E

Leva E Traz (Elis)

Lins Ivan4/4samba
Fmaj9
A♯maj7/C
Fmaj9
A♯maj7/C
Fmaj9
A♯maj7/C
Fmaj9
A♯maj7/C
Fmaj9
A♯maj7/C
Fmaj9
%
%
%
%
%
%
D7♭9♭13
%
C13
%
%
%
%
%
Fmaj9
F69
C13
%
C13
%
%
%
Fmaj9
F69
A♯maj9
A♯69
%
Am11
%
D13
%
%
C13
%
%
A♯maj9
A♯69
%
Am11
%
D13
%
%
C13
%
%

Chord Diagrams — Leva E Traz (Elis) in F (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Fmaj9
EADGBExx2314
EADGBE132
7frEADGBEx2143x
10frEADGBE11xx34
A♯maj7/C
EADGBE11x324
3frEADGBE111xx4
6frEADGBE111423
8frEADGBE11333x
D7♭9♭13
D - F♯ - A - C - E♭ - B♭
G9
EADGBE31
EADGBE11234x
3frEADGBE111324
9frEADGBE221334
Em7♭5
EADGBE33312
7frEADGBEx1324x
8frEADGBE11xx24
11frEADGBE2x341x
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
Dm7
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113
C13
2frEADGBE44x213
3frEADGBE111134
6frEADGBE222341
8frEADGBE111324
F69
EADGBExx2134
EADGBE123
5frEADGBE1111x2
7frEADGBE11x234
A♯maj9
3frEADGBE111143
EADGBE1113x
5frEADGBE11243x
6frEADGBE112234
A♯69
5frEADGBE111234
EADGBEx123
7frEADGBEx22134
12frEADGBE11x234
D♯9
5frEADGBEx21334
EADGBExx132
10frEADGBE3142xx
11frEADGBE111324
Am11
5frEADGBE111114
EADGBEx1
3frEADGBE111342
10frEADGBE11x234
D13
5frEADGBE111134
EADGBExx412
8frEADGBE4231
10frEADGBE1x234x
F9
7frEADGBE221334
EADGBE111324
EADGBExx2143
10frEADGBE1111x2
Fm7
8frEADGBE111132
EADGBE111113
3frEADGBExx1423
9frEADGBExx2314

Explore More

Leva E Traz (Elis) in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F to A# (ascending perfect fourth), A# to D (ascending major third), D to G (ascending perfect fourth), G to E (descending minor third), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to C (descending whole step), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to A (ascending tritone), A to D (ascending perfect fourth), D to F (ascending minor third), F to F (ascending unison). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to F by unison.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 76 bars · Form: AB

Chords: Fmaj9, A♯maj7/C, D7♭9♭13, G9, Em7♭5, A7, Dm7, C13, F69, A♯maj9, A♯69, D♯9, Am11, D13, F9, Fm7.

Scales for Improvisation F bebop, F bebop major.

Diatonic chords: See all chords in the key of F