Do Re MiC D E

Leva E Traz (Elis)

Lins Ivan4/4samba
A♯maj9
D♯maj7/C
A♯maj9
D♯maj7/C
A♯maj9
D♯maj7/C
A♯maj9
D♯maj7/C
A♯maj9
D♯maj7/C
A♯maj9
%
%
%
%
%
%
G7♭9♭13
%
F13
%
%
%
%
%
A♯maj9
A♯69
F13
%
F13
%
%
%
A♯maj9
A♯69
D♯maj9
D♯69
%
Dm11
%
G13
%
%
F13
%
%
D♯maj9
D♯69
%
Dm11
%
G13
%
%
F13
%
%

Chord Diagrams — Leva E Traz (Elis) in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯maj9
5frEADGBE11243x
EADGBE1113x
3frEADGBE111143
6frEADGBE112234
D♯maj7/C
6frEADGBE111324
EADGBE11333x
3frEADGBE111x43
8frEADGBE111xx4
G7♭9♭13
G - B - D - F - A♭ - E♭
C9
7frEADGBE112344
EADGBE221334
7frEADGBE131214
9frEADGBExx2143
Am7♭5
7frEADGBE222xx1
EADGBEx23x
4frEADGBE2x341x
5frEADGBE111234
D7
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
F13
7frEADGBE44x213
EADGBE111324
EADGBE111234
8frEADGBE111134
A♯69
7frEADGBEx22134
EADGBEx123
5frEADGBE111234
12frEADGBE11x234
D♯maj9
8frEADGBE1111x4
3frEADGBE1111x4
5frEADGBEx2143x
11frEADGBExx2314
D♯69
10frEADGBE111234
EADGBExx234
EADGBE1111x2
5frEADGBE11x234
G♯9
10frEADGBE221334
EADGBE11234x
4frEADGBE111324
5frEADGBExx2143
Dm11
10frEADGBE111114
EADGBE11xx
3frEADGBE11x234
8frEADGBE111342
G13
9frEADGBEx21334
EADGBE321
3frEADGBE11x234
3frEADGBE111324
A♯9
12frEADGBEx21333
EADGBEx1234
5frEADGBE11234x
6frEADGBE111324
A♯m7
8frEADGBE11x423
EADGBE111x32
EADGBExx2314
6frEADGBE111113

Explore More

Leva E Traz (Elis) in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to D# (ascending perfect fourth), D# to G (ascending major third), G to C (ascending perfect fourth), C to A (descending minor third), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to F (descending whole step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to D (ascending tritone), D to G (ascending perfect fourth), G to A# (ascending minor third), A# to A# (ascending unison). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to A# by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 76 bars · Form: AB

Chords: A♯maj9, D♯maj7/C, G7♭9♭13, C9, Am7♭5, D7, Gm7, F13, A♯69, D♯maj9, D♯69, G♯9, Dm11, G13, A♯9, A♯m7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#