Do Re MiC D E

Leva E Traz (Elis)

Lins Ivan4/4samba
Amaj9
Dmaj7/C
Amaj9
Dmaj7/C
Amaj9
Dmaj7/C
Amaj9
Dmaj7/C
Amaj9
Dmaj7/C
Amaj9
%
%
%
%
%
%
F♯7♭9♭13
%
E13
%
%
%
%
%
Amaj9
A69
E13
%
E13
%
%
%
Amaj9
A69
Dmaj9
D69
%
C♯m11
%
F♯13
%
%
E13
%
%
Dmaj9
D69
%
C♯m11
%
F♯13
%
%
E13
%
%

Chord Diagrams — Leva E Traz (Elis) in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Amaj9
4frEADGBE11243
EADGBE11x34
5frEADGBEx2314
11frEADGBE22143x
Dmaj7/C
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
F♯7♭9♭13
F♯ - A♯ - C♯ - E - G - D
B9
4frEADGBE111432
EADGBEx21334
7frEADGBE111324
8frEADGBExx2143
G♯m7♭5
EADGBE2x341x
EADGBExx13
6frEADGBE222xx1
11frEADGBEx1324x
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
E13
EADGBE213
EADGBE123
5frEADGBE1342
7frEADGBE111134
A69
EADGBE11x34
4frEADGBE111234
6frEADGBEx22134
11frEADGBE11x234
Dmaj9
2frEADGBE1111x4
4frEADGBEx2143x
7frEADGBEx2314
10frEADGBE11x234
D69
2frEADGBEx431
4frEADGBE11x234
9frEADGBE111234
11frEADGBEx22134
G9
3frEADGBE111324
EADGBE31
EADGBE11234x
9frEADGBE221334
C♯m11
EADGBE111x23
7frEADGBE111342
9frEADGBE111114
11frEADGBE11xx23
F♯13
EADGBE111234
EADGBE2314
7frEADGBEx4231
9frEADGBE111134
A9
EADGBE11x32
2frEADGBE431
5frEADGBE111324
11frEADGBEx21333
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423

Explore More

Leva E Traz (Elis) in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to D (ascending perfect fourth), D to F# (ascending major third), F# to B (ascending perfect fourth), B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to E (descending whole step), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to C# (ascending tritone), C# to F# (ascending perfect fourth), F# to A (ascending minor third), A to A (ascending unison). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to A by unison.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 76 bars · Form: AB

Chords: Amaj9, Dmaj7/C, F♯7♭9♭13, B9, G♯m7♭5, C♯7, F♯m7, E13, A69, Dmaj9, D69, G9, C♯m11, F♯13, A9, Am7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A