Do Re MiC D E

Leva E Traz (Elis)

Lins Ivan4/4samba
Bmaj9
Emaj7/C
Bmaj9
Emaj7/C
Bmaj9
Emaj7/C
Bmaj9
Emaj7/C
Bmaj9
Emaj7/C
Bmaj9
%
%
%
%
%
%
G♯7♭9♭13
%
F♯13
%
%
%
%
%
Bmaj9
B69
F♯13
%
F♯13
%
%
%
Bmaj9
B69
Emaj9
E69
%
D♯m11
%
G♯13
%
%
F♯13
%
%
Emaj9
E69
%
D♯m11
%
G♯13
%
%
F♯13
%
%

Chord Diagrams — Leva E Traz (Elis) in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Bmaj9
4frEADGBE11xx34
EADGBE22143x
6frEADGBE11243x
8frEADGBExx2143
Emaj7/C
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
G♯7♭9♭13
G♯ - C - D♯ - F♯ - A - E
C♯9
EADGBE221334
8frEADGBE3142xx
9frEADGBE111324
10frEADGBExx2143
A♯m7♭5
EADGBE11xx24
EADGBEx1324x
5frEADGBE2x341x
8frEADGBE222xx1
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
F♯13
EADGBE111234
EADGBE2314
7frEADGBEx4231
9frEADGBE111134
B69
EADGBE11x234
6frEADGBE111234
8frEADGBEx22134
11frEADGBE11x432
Emaj9
EADGBE3124
EADGBE111234
6frEADGBEx2143x
9frEADGBE11xx34
E69
EADGBE22134
6frEADGBE11x234
9frEADGBE11111x
11frEADGBE11134
A9
EADGBE11x32
2frEADGBE431
5frEADGBE111324
11frEADGBEx21333
D♯m11
EADGBE11xx34
4frEADGBE11x234
9frEADGBE111342
11frEADGBE111114
G♯13
EADGBE111432
4frEADGBE111324
4frEADGBE111234
10frEADGBE44x213
B9
EADGBEx21334
4frEADGBE111432
7frEADGBE111324
8frEADGBExx2143
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423

Explore More

Leva E Traz (Elis) in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to E (ascending perfect fourth), E to G# (ascending major third), G# to C# (ascending perfect fourth), C# to A# (descending minor third), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to D# (ascending tritone), D# to G# (ascending perfect fourth), G# to B (ascending minor third), B to B (ascending unison). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to B by unison.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 76 bars · Form: AB

Chords: Bmaj9, Emaj7/C, G♯7♭9♭13, C♯9, A♯m7♭5, D♯7, G♯m7, F♯13, B69, Emaj9, E69, A9, D♯m11, G♯13, B9, Bm7.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B