Do Re MiC D E

Three Hours

Drake Nick4/4folk-rock
G♯5
G♯5
G♯9sus4
C♯m6/D
G♯5
G♯5
G♯9sus4
C♯m6/D
G♯5
G♯5
F♯5/D
G♯5
G♯5
F♯5/D
G♯5
G♯5
F♯5/D
G♯5
G♯5
F♯5/D
G♯5
G♯5
G♯9sus4
C♯m6/D
G♯5
G♯5
G♯5
G♯9sus4
C♯m6/D
G♯5
G♯5
F♯5/D
G♯5
G♯5
F♯5/D
G♯5
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G♯m/C
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G♯m/C
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G♯m/C
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G♯5
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G♯m/C
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G♯m/C
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G♯m/C
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Chord Diagrams — Three Hours in G# (Guitar)

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Three Hours in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to G# (ascending unison), G# to G# (ascending unison), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to F# (descending whole step), F# to G# (ascending whole step), G# to G# (ascending unison), G# to F (descending minor third), F to F# (ascending half step), F# to G# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G# to G# by unison.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

folk-rock4/4 · 94 bars · Form: AB

Chords: G♯5, G♯sus4, G♯m, G♯9sus4, C♯m6/D, G♯, F♯5/D, G♯m/C, G♯m7, Fm7, F♯7, G♯7.

Scales for Improvisation G# bebop minor, G# bebop.

Diatonic chords: See all chords in the key of G#