Do Re MiC D E

Three Hours

Drake Nick4/4folk-rock
A♯5
A♯5
A♯9sus4
D♯m6/D
A♯5
A♯5
A♯9sus4
D♯m6/D
A♯5
A♯5
G♯5/D
A♯5
A♯5
G♯5/D
A♯5
A♯5
G♯5/D
A♯5
A♯5
G♯5/D
A♯5
A♯5
A♯9sus4
D♯m6/D
A♯5
A♯5
A♯5
A♯9sus4
D♯m6/D
A♯5
A♯5
G♯5/D
A♯5
A♯5
G♯5/D
A♯5
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A♯m/C
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A♯m/C
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A♯m/C
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A♯5
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A♯m/C
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A♯m/C
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A♯m/C
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Chord Diagrams — Three Hours in A# (Guitar)

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Three Hours in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A# (ascending unison), A# to A# (ascending unison), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to A# (descending perfect fourth), A# to G# (descending whole step), G# to A# (ascending whole step), A# to A# (ascending unison), A# to G (descending minor third), G to G# (ascending half step), G# to A# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to A# by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

folk-rock4/4 · 94 bars · Form: AB

Chords: A♯5, A♯sus4, A♯m, A♯9sus4, D♯m6/D, A♯, G♯5/D, A♯m/C, A♯m7, Gm7, G♯7, A♯7.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#