Do Re MiC D E

Three Hours

Drake Nick4/4folk-rock
B5
B5
B9sus4
Em6/D
B5
B5
B9sus4
Em6/D
B5
B5
A5/D
B5
B5
A5/D
B5
B5
A5/D
B5
B5
A5/D
B5
B5
B9sus4
Em6/D
B5
B5
B5
B9sus4
Em6/D
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B5
A5/D
B5
B5
A5/D
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B5
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Bm/C
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Bm/C
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Bm/C
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Chord Diagrams — Three Hours in B (Guitar)

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Three Hours in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to B (ascending unison), B to B (ascending unison), B to B (ascending unison), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to A (descending whole step), A to B (ascending whole step), B to B (ascending unison), B to G# (descending minor third), G# to A (ascending half step), A to B (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to B by unison.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

folk-rock4/4 · 94 bars · Form: AB

Chords: B5, Bsus4, Bm, B9sus4, Em6/D, B, A5/D, Bm/C, Bm7, G♯m7, A7, B7.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B