Do Re MiC D E

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Queen (Brian May)4/4rock♩= 88
G/F♯
C/B
F/G
C/B
D/C♯
Cadd9/B
D/C♯
G/C
C/B
Cm/B♭
G/F♯
C/B
F/G
C/B
D/C♯
Cadd9/B
D/C♯
G/C
C/B
Cm/B♭
%
G/F♯
C/B
F/G
C/B
D/C♯
Cadd9/B
D/C♯
G/C
C/B
Cm/B♭
D/C♯
G/C
C/B
Cm/B♭

Chord Diagrams — Save Me in F (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
G/F♯
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
F
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
C/B
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
Dm
5frEADGBE111342
EADGBExx231
6frEADGBEx4231x
10frEADGBE111134
G
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
Gsus4
5frEADGBE1144x3
EADGBE2314
3frEADGBE111234
10frEADGBE111234
F/G
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
D/C♯
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
Cadd9/B
7frEADGBE213
EADGBEx213
EADGBEx13
8frEADGBExx3214
A
7frEADGBEx1243
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
D
10frEADGBE111342
EADGBExx132
2frEADGBE111432
5frEADGBE111234
G/C
7frEADGBE111432
EADGBE213
3frEADGBE111342
5frEADGBE11x243
Cm/B♭
8frEADGBE111134
EADGBEx3214
3frEADGBE111342
5frEADGBE1142xx
F/D
8frEADGBE111234
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
Gadd9
7frEADGBE11x324
EADGBE213
EADGBExx3214
9frEADGBEx2134

Explore More

Save Me in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through C to G (descending perfect fourth), G to A (ascending whole step), A to F (descending major third), F to C (descending perfect fourth), C to D (ascending whole step), D to G (ascending perfect fourth), G to G (ascending unison), G to F (descending whole step), F to D (descending minor third), D to C (descending whole step), C to A (descending minor third), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to G (ascending whole step). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to C by perfect fourth.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Use the Lydian mode (raised 4th) over the IV chord for a dreamy, floating quality that lifts the harmony.

rock4/4 · 74 bars · Form: ABB

Chords: C, G/F♯, Am7, F, C/B, Dm, G, Gsus4, F/G, D/C♯, Cadd9/B, A, D, G/C, Cm/B♭, F/D, Gadd9.

Scales for Improvisation F bebop, F bebop major.

Diatonic chords: See all chords in the key of F