Do Re MiC D E

Save Me

Queen (Brian May)4/4rock♩= 88
B/F♯
E/B
A/G
E/B
F♯/C♯
Eadd9/B
F♯/C♯
B/C
E/B
Em/B♭
B/F♯
E/B
A/G
E/B
F♯/C♯
Eadd9/B
F♯/C♯
B/C
E/B
Em/B♭
%
B/F♯
E/B
A/G
E/B
F♯/C♯
Eadd9/B
F♯/C♯
B/C
E/B
Em/B♭
F♯/C♯
B/C
E/B
Em/B♭

Chord Diagrams — Save Me in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
B/F♯
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
E/B
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
F♯m
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342
B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
Bsus4
4frEADGBE11xx24
2frEADGBE111234
7frEADGBE111234
9frEADGBE1144x3
A/G
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
F♯/C♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
Eadd9/B
4frEADGBE11x324
EADGBE2314
6frEADGBEx21x34
12frEADGBExx3214
C♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
B/C
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
Em/B♭
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
A/D
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
Badd9
EADGBEx21x34
6frEADGBE31x244
7frEADGBExx3214
11frEADGBE11x324

Explore More

Save Me in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to B (descending perfect fourth), B to C# (ascending whole step), C# to A (descending major third), A to E (descending perfect fourth), E to F# (ascending whole step), F# to B (ascending perfect fourth), B to B (ascending unison), B to A (descending whole step), A to F# (descending minor third), F# to E (descending whole step), E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to B (ascending whole step). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to E by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Try the major blues scale — adding the flat 3rd as a passing chromatic note gives bends and slides an expressive, soulful quality.

rock4/4 · 74 bars · Form: ABB

Chords: E, B/F♯, C♯m7, A, E/B, F♯m, B, Bsus4, A/G, F♯/C♯, Eadd9/B, C♯, F♯, B/C, Em/B♭, A/D, Badd9.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A