Do Re MiC D E

Save Me

Queen (Brian May)4/4rock♩= 88
C/F♯
F/B
A♯/G
F/B
G/C♯
Fadd9/B
G/C♯
C/C
F/B
Fm/B♭
C/F♯
F/B
A♯/G
F/B
G/C♯
Fadd9/B
G/C♯
C/C
F/B
Fm/B♭
G/C♯
C/C
F/B
Fm/B♭
A♯/D

Chord Diagrams — Save Me in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
C/F♯
3frEADGBE111234
EADGBEx321
5frEADGBE111xx4
8frEADGBE111342
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
A♯
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
F/B
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
Gm
5frEADGBExx1342
EADGBE2134
3frEADGBE111134
10frEADGBE111342
C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
Csus4
3frEADGBE111234
EADGBE11x34
6frEADGBE23x14
8frEADGBE111234
A♯/G
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
G/C♯
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
Fadd9/B
3frEADGBExx143
EADGBExx3214
5frEADGBE11x324
7frEADGBEx2134
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
G
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
C/C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
Fm/B♭
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
A♯/D
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
Cadd9
EADGBEx13
EADGBEx213
7frEADGBE213
8frEADGBExx3214

Explore More

Save Me in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F to C (descending perfect fourth), C to D (ascending whole step), D to A# (descending major third), A# to F (descending perfect fourth), F to G (ascending whole step), G to C (ascending perfect fourth), C to C (ascending unison), C to A# (descending whole step), A# to G (descending minor third), G to F (descending whole step), F to D (descending minor third), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to C (ascending whole step). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to F by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Use the Lydian mode (raised 4th) over the IV chord for a dreamy, floating quality that lifts the harmony.

rock4/4 · 74 bars · Form: ABB

Chords: F, C/F♯, Dm7, A♯, F/B, Gm, C, Csus4, A♯/G, G/C♯, Fadd9/B, D, G, C/C, Fm/B♭, A♯/D, Cadd9.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#