Do Re MiC D E

Rock With You

Michael Jackson (Rod Temperton)4/4disco♩= 113
C♯/B♭
C♯/B♭
E/C♯
C♯/B♭
B/A♭
%
B/A♭
C♯/B♭
%
B/A♭
C♯/B♭
C♯/B♭
B/A♭
C♯/B♭
C♯/B♭
E/C♯
C♯/B♭
B/A♭
%
B/A♭
C♯/B♭
%
B/A♭
C♯/B♭
%
B/A♭
C♯/B♭
C♯/B♭
E/C♯
C♯/B♭
B/A♭
%
%
%
B/A♭
C♯/B♭
C♯/B♭
E/C♯
C♯/B♭
D♯/C
E/C♯
E/C♯
F/D
D/B
D/B
F/D
D/B
C/A
%
D/B
D/B
F/D
D/B
C/A
%

Chord Diagrams — Rock With You in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯m9
4frEADGBE111134
EADGBE11143
7frEADGBE221341
9frEADGBEx21344
C♯/B♭
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
D♯
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
E/C♯
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
B/A♭
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
C♯
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
Bmaj7
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
9frEADGBE11333x
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
Emaj7
EADGBE333xx1
EADGBE312
4frEADGBE111x43
7frEADGBE111324
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
G♯/G
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
G♯9
5frEADGBExx2143
EADGBE11234x
4frEADGBE111324
10frEADGBE221334
D♯/C
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
F/D
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
Am9
5frEADGBE111134
EADGBEx2413
8frEADGBE132
10frEADGBEx21344
D/B
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
C/A
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342

Explore More

Rock With You in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to C# (ascending perfect fourth), C# to D# (ascending whole step), D# to E (ascending half step), E to B (descending perfect fourth), B to C# (ascending whole step), C# to B (descending whole step), B to A# (descending half step), A# to E (ascending tritone), E to G# (ascending major third), G# to G# (ascending unison), G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth), G# to D# (descending perfect fourth), D# to F (ascending whole step), F to A (ascending major third), A to D (ascending perfect fourth), D to E (ascending whole step), E to C (descending major third), C to D (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to G# by tritone.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Try the major blues scale — adding the flat 3rd as a passing chromatic note gives bends and slides an expressive, soulful quality.

disco4/4 · 88 bars · Form: ABCACD

Chords: G♯m9, C♯/B♭, D♯, E/C♯, B/A♭, C♯, Bmaj7, A♯m7, Emaj7, G♯m7, G♯/G, D♯m7, G♯9, D♯/C, F/D, Am9, D/B, E, C/A, D.

Scales for Improvisation G# bebop minor, G# bebop.

Diatonic chords: See all chords in the key of G#