Do Re MiC D E

Rock With You

Michael Jackson (Rod Temperton)4/4disco♩= 113
F♯/B♭
F♯/B♭
A/C♯
F♯/B♭
E/A♭
%
E/A♭
F♯/B♭
%
E/A♭
F♯/B♭
F♯/B♭
E/A♭
F♯/B♭
F♯/B♭
A/C♯
F♯/B♭
E/A♭
%
E/A♭
F♯/B♭
%
E/A♭
F♯/B♭
%
E/A♭
F♯/B♭
F♯/B♭
A/C♯
F♯/B♭
E/A♭
%
%
%
E/A♭
F♯/B♭
F♯/B♭
A/C♯
F♯/B♭
G♯/C
A/C♯
A/C♯
A♯/D
G/B
G/B
A♯/D
G/B
F/A
%
G/B
G/B
A♯/D
G/B
F/A
%

Chord Diagrams — Rock With You in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯m9
5frEADGBE222x14
EADGBEx21344
7frEADGBEx13244
9frEADGBE111134
F♯/B♭
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
A/C♯
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
E/A♭
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
Emaj7
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
C♯/G
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
C♯9
EADGBE221334
8frEADGBE3142xx
9frEADGBE111324
10frEADGBExx2143
G♯/C
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
A♯/D
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
Dm9
3frEADGBEx21344
EADGBE132
5frEADGBEx1423
10frEADGBE111134
G/B
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
A
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
F/A
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
G
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432

Explore More

Rock With You in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to F# (ascending perfect fourth), F# to G# (ascending whole step), G# to A (ascending half step), A to E (descending perfect fourth), E to F# (ascending whole step), F# to E (descending whole step), E to D# (descending half step), D# to A (ascending tritone), A to C# (ascending major third), C# to C# (ascending unison), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to A# (ascending whole step), A# to D (ascending major third), D to G (ascending perfect fourth), G to A (ascending whole step), A to F (descending major third), F to G (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to C# by tritone.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Use the Lydian mode (raised 4th) over the IV chord for a dreamy, floating quality that lifts the harmony.

disco4/4 · 88 bars · Form: ABCACD

Chords: C♯m9, F♯/B♭, G♯, A/C♯, E/A♭, F♯, Emaj7, D♯m7, Amaj7, C♯m7, C♯/G, G♯m7, C♯9, G♯/C, A♯/D, Dm9, G/B, A, F/A, G.

Scales for Improvisation C# bebop minor, C# bebop.

Diatonic chords: See all chords in the key of C#