Do Re MiC D E

Rock With You

Michael Jackson (Rod Temperton)4/4disco♩= 113
D/B♭
D/B♭
F/C♯
D/B♭
C/A♭
%
C/A♭
D/B♭
%
C/A♭
D/B♭
D/B♭
C/A♭
D/B♭
D/B♭
F/C♯
D/B♭
C/A♭
%
C/A♭
D/B♭
%
C/A♭
D/B♭
%
C/A♭
D/B♭
D/B♭
F/C♯
D/B♭
C/A♭
%
%
%
C/A♭
D/B♭
D/B♭
F/C♯
D/B♭
E/C
F/C♯
F/C♯
F♯/D
D♯/B
D♯/B
F♯/D
D♯/B
C♯/A
%
D♯/B
D♯/B
F♯/D
D♯/B
C♯/A
%

Chord Diagrams — Rock With You in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Am9
5frEADGBE111134
EADGBEx2413
8frEADGBE132
10frEADGBEx21344
D/B♭
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
F/C♯
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
C/A♭
3frEADGBE111234
EADGBEx321
5frEADGBE111xx4
8frEADGBE111342
D
2frEADGBE111432
EADGBExx132
5frEADGBE111234
10frEADGBE111342
Cmaj7
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
10frEADGBE333xx1
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
Fmaj7
EADGBExx321
EADGBE111423
3frEADGBE11x333
8frEADGBE111324
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
A/G
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243
Em7
EADGBE2
EADGBE11423
7frEADGBE111132
8frEADGBExx2314
A9
EADGBE11x32
2frEADGBE431
5frEADGBE111324
11frEADGBEx21333
E/C
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
F♯/D
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
A♯m9
2frEADGBExx2413
4frEADGBE113x24
6frEADGBE111134
11frEADGBEx2134x
D♯/B
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
F
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
C♯/A
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
D♯
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4

Explore More

Rock With You in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to D (ascending perfect fourth), D to E (ascending whole step), E to F (ascending half step), F to C (descending perfect fourth), C to D (ascending whole step), D to C (descending whole step), C to B (descending half step), B to F (ascending tritone), F to A (ascending major third), A to A (ascending unison), A to E (descending perfect fourth), E to A (ascending perfect fourth), A to E (descending perfect fourth), E to F# (ascending whole step), F# to A# (ascending major third), A# to D# (ascending perfect fourth), D# to F (ascending whole step), F to C# (descending major third), C# to D# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to A by tritone.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Try the major blues scale — adding the flat 3rd as a passing chromatic note gives bends and slides an expressive, soulful quality.

disco4/4 · 88 bars · Form: ABCACD

Chords: Am9, D/B♭, E, F/C♯, C/A♭, D, Cmaj7, Bm7, Fmaj7, Am7, A/G, Em7, A9, E/C, F♯/D, A♯m9, D♯/B, F, C♯/A, D♯.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A