Do Re MiC D E

Old Love

Eric Clapton, Robert Cray4/4blues♩= 75
D♯7sus4
D♯7sus4
D♯7sus4
D♯7sus4
A♯m7/A
D♯7sus4
D♯7sus4
A♯m7/A
D♯7sus4
D♯7sus4
Fm/G♯
Fm7/G
A♯7/F♯
D♯7sus4
D♯7sus4
D♯7sus4
D♯7sus4
A♯m7/A
D♯7sus4
D♯7sus4
A♯m7/A
D♯7sus4
D♯7sus4
Fm/G♯
Fm7/G
A♯7/F♯
D♯7sus4
D♯7sus4
D♯7sus4
D♯7sus4
D♯7sus4
D♯7sus4
D♯7sus4
D♯7sus4
D♯7sus4
D♯7sus4

Chord Diagrams — Old Love in F (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
D♯7sus4
EADGBExx1324
4frEADGBE11x234
6frEADGBE111134
11frEADGBE111134
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
A♯m7/A
EADGBE111x32
EADGBExx2314
6frEADGBE111113
8frEADGBE11x423
C♯
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
C7
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132
Fm
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
Fm/G♯
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
Fm7/G
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
A♯7/F♯
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
A♯m
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
8frEADGBExx1342

Explore More

Old Love in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to C# (ascending minor third), C# to C# (ascending unison), C# to C (descending half step), C to F (ascending perfect fourth), F to F (ascending unison), F to F (ascending unison), F to A# (ascending perfect fourth), A# to A# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from A# to F by perfect fourth.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

blues4/4 · 68 bars · Form: ABCD

Chords: Fm7, A♯m7, D♯7sus4, D♯7, A♯m7/A, C♯, C♯7, C7, Fm, Fm/G♯, Fm7/G, A♯7/F♯, A♯m.

Scales for Improvisation F bebop minor, F bebop.

Diatonic chords: See all chords in the key of F