Do Re MiC D E

Old Love

Eric Clapton, Robert Cray4/4blues♩= 75
A7sus4
A7sus4
A7sus4
A7sus4
Em7/A
A7sus4
A7sus4
Em7/A
A7sus4
A7sus4
Bm/G♯
Bm7/G
E7/F♯
A7sus4
A7sus4
A7sus4
A7sus4
Em7/A
A7sus4
A7sus4
Em7/A
A7sus4
A7sus4
Bm/G♯
Bm7/G
E7/F♯
A7sus4
A7sus4
A7sus4
A7sus4
A7sus4
A7sus4
A7sus4
A7sus4
A7sus4
A7sus4

Chord Diagrams — Old Love in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
A7sus4
EADGBEx23
5frEADGBE111134
7frEADGBEx1324
10frEADGBE11x234
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
Em7/A
EADGBE2
EADGBE11423
7frEADGBE111132
8frEADGBExx2314
G
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
G7
EADGBE321
3frEADGBE111132
5frEADGBE11x324
10frEADGBE111134
F♯7
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
Bm
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
Bm/G♯
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
Bm7/G
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
E7/F♯
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
Em
EADGBE23
2frEADGBE11342
7frEADGBE111342
9frEADGBE4312xx

Explore More

Old Love in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to E (descending perfect fourth), E to G (ascending minor third), G to G (ascending unison), G to F# (descending half step), F# to B (ascending perfect fourth), B to B (ascending unison), B to B (ascending unison), B to E (ascending perfect fourth), E to E (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from E to B by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

blues4/4 · 68 bars · Form: ABCD

Chords: Bm7, Em7, A7sus4, A7, Em7/A, G, G7, F♯7, Bm, Bm/G♯, Bm7/G, E7/F♯, Em.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B