Do Re MiC D E

Old Love

Eric Clapton, Robert Cray4/4blues♩= 75
G♯7sus4
G♯7sus4
G♯7sus4
G♯7sus4
D♯m7/A
G♯7sus4
G♯7sus4
D♯m7/A
G♯7sus4
G♯7sus4
A♯m/G♯
A♯m7/G
D♯7/F♯
G♯7sus4
G♯7sus4
G♯7sus4
G♯7sus4
D♯m7/A
G♯7sus4
G♯7sus4
D♯m7/A
G♯7sus4
G♯7sus4
A♯m/G♯
A♯m7/G
D♯7/F♯
G♯7sus4

Chord Diagrams — Old Love in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
G♯7sus4
4frEADGBE111134
EADGBE1122xx
9frEADGBE11x234
11frEADGBE111134
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
D♯m7/A
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
F♯
6frEADGBE111432
EADGBE111342
4frEADGBE11x243
9frEADGBE111234
F♯7
7frEADGBEx3241x
EADGBE111132
4frEADGBE11x324
9frEADGBE111134
F7
8frEADGBE111134
EADGBE111132
3frEADGBE11x324
10frEADGBE111xx2
A♯m
8frEADGBExx1342
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
A♯m/G♯
8frEADGBExx1342
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
A♯m7/G
8frEADGBE11x423
EADGBE111x32
EADGBExx2314
6frEADGBE111113
D♯7/F♯
8frEADGBE111xx2
EADGBExx1324
6frEADGBE111x34
11frEADGBE111132
D♯m
6frEADGBE111342
EADGBExx1342
EADGBExx3241
11frEADGBE111134

Explore More

Old Love in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to D# (descending perfect fourth), D# to F# (ascending minor third), F# to F# (ascending unison), F# to F (descending half step), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to D# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from D# to A# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

blues4/4 · 68 bars · Form: ABCD

Chords: A♯m7, D♯m7, G♯7sus4, G♯7, D♯m7/A, F♯, F♯7, F7, A♯m, A♯m/G♯, A♯m7/G, D♯7/F♯, D♯m.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#