Do Re MiC D E

Lately

Wonder Stevie4/4pop♩= 74

Chord Diagrams — Lately in D# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯maj9
4frEADGBE113224
EADGBE1111x4
3frEADGBE111243
10frEADGBE22143x
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
C♯maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
D♯sus4
EADGBExx1234
6frEADGBE111234
8frEADGBE11xx2x
11frEADGBE111234
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
G♯69
EADGBE11111x
EADGBE111234
5frEADGBExx2134
10frEADGBE11x234
A♯m7
EADGBE111x32
EADGBExx2314
6frEADGBE111113
8frEADGBE11x423
A♯m
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
8frEADGBExx1342
A♯mMaj7
EADGBE11x423
6frEADGBE111132
8frEADGBE11x342
10frEADGBE11x42x
G♯7
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
11frEADGBE111134
C♯6
EADGBEx4231x
4frEADGBE3333x1
6frEADGBE111423
9frEADGBE11x324
C♯m6
EADGBE11x324
5frEADGBExx2314
8frEADGBE2x134x
9frEADGBE111234
Cm7
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
8frEADGBE111113
Fsus4
EADGBE111234
3frEADGBExx1234
8frEADGBE111234
10frEADGBE11xx2x
Fsus4/E♭
EADGBE111234
3frEADGBExx1234
8frEADGBE111234
10frEADGBE11xx2x
Fsus4/F
EADGBE111234
3frEADGBExx1234
8frEADGBE111234
10frEADGBE11xx2x
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
Emaj7
7frEADGBE111324
EADGBE312
EADGBE333xx1
4frEADGBE111x43
F♯m7
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314
G♯m7
9frEADGBE11x23x
4frEADGBE111113
6frEADGBE11x423
11frEADGBE111132
G9♯11
9frEADGBE11x234
EADGBE111234
5frEADGBExx1234
10frEADGBE111x23
F♯6
9frEADGBE3333x1
EADGBE2x143x
EADGBE11x324
4frEADGBE111x34
F♯m6
8frEADGBEx2413x
EADGBE2x1334
4frEADGBE111x32
7frEADGBE11x324
A♯sus4
8frEADGBE11x234
EADGBE11x234
3frEADGBE11xx24
6frEADGBE111333
A♯sus4/A♭
8frEADGBE11x234
EADGBE11x234
3frEADGBE11xx24
6frEADGBE111333
A♯sus4/B♭
8frEADGBE11x234
EADGBE11x234
3frEADGBE11xx24
6frEADGBE111333
G♯7♭9
10frEADGBE11x234
EADGBE111x2
4frEADGBE11xx23
5frEADGBE11xx23
C♯69
10frEADGBExx2134
EADGBE11x432
EADGBE11x234
8frEADGBE111234
F♯maj7
9frEADGBE111324
EADGBE111423
4frEADGBE11x333
6frEADGBE111x43
G♯sus4
6frEADGBE11x234
EADGBE11xx24
4frEADGBE111234
11frEADGBE111234
A♯maj7
6frEADGBE111423
EADGBE11x324
3frEADGBE111xx4
8frEADGBE11333x

Explore More

Lately in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to F (descending minor third), F to C# (descending major third), C# to D# (ascending whole step), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to A# (ascending whole step), A# to A# (ascending unison), A# to A# (ascending unison), A# to G# (descending whole step), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to C (descending half step), C to F (ascending perfect fourth), F to F (ascending unison), F to F (ascending unison), F to C# (descending major third), C# to D# (ascending whole step), D# to E (ascending half step), E to F# (ascending whole step), F# to G# (ascending whole step), G# to G (descending half step), G to F# (descending half step), F# to F# (ascending unison), F# to A# (ascending major third), A# to A# (ascending unison), A# to A# (ascending unison), A# to G# (descending whole step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to G# (ascending whole step), G# to A# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to G# by whole step.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 77 bars · Form: ABB

Chords: G♯maj9, Fm7, C♯maj7, D♯sus4, D♯7, G♯69, A♯m7, A♯m, A♯mMaj7, G♯7, C♯6, C♯m6, Cm7, Fsus4, Fsus4/E♭, Fsus4/F, C♯m7, D♯m7, Emaj7, F♯m7, G♯m7, G9♯11, F♯6, F♯m6, A♯sus4, A♯sus4/A♭, A♯sus4/B♭, G♯7♭9, C♯69, F♯maj7, G♯sus4, A♯maj7.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#