Do Re MiC D E

Lately

Wonder Stevie4/4pop♩= 74

Chord Diagrams — Lately in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯maj9
5frEADGBEx2143x
3frEADGBE1111x4
8frEADGBE1111x4
11frEADGBExx2314
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
A♯sus4
3frEADGBE11xx24
EADGBE11x234
6frEADGBE111333
8frEADGBE11x234
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
D♯69
EADGBExx234
EADGBE1111x2
5frEADGBE11x234
10frEADGBE111234
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
Fm
EADGBE111134
3frEADGBExx1342
8frEADGBE111342
10frEADGBE1142xx
FmMaj7
EADGBE111132
3frEADGBExx1342
8frEADGBE111423
12frEADGBExx4231
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
G♯6
EADGBE1111x3
3frEADGBE2x143x
6frEADGBE111x34
9frEADGBEx4231x
G♯m6
EADGBE2x134x
4frEADGBE111234
6frEADGBE111x32
9frEADGBE11x324
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
Csus4
3frEADGBE111234
EADGBE11x34
6frEADGBE23x14
8frEADGBE111234
Csus4/E♭
3frEADGBE111234
EADGBE11x34
6frEADGBE23x14
8frEADGBE111234
Csus4/F
3frEADGBE111234
EADGBE11x34
6frEADGBE23x14
8frEADGBE111234
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
Bmaj7
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
9frEADGBE11333x
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
D9♯11
7frEADGBEx3142
EADGBExx123
4frEADGBE11x234
9frEADGBE111234
C♯6
6frEADGBE111423
EADGBEx4231x
4frEADGBE3333x1
9frEADGBE11x324
C♯m6
5frEADGBExx2314
EADGBE11x324
8frEADGBE2x134x
9frEADGBE111234
Fsus4
3frEADGBExx1234
EADGBE111234
8frEADGBE111234
10frEADGBE11xx2x
Fsus4/A♭
3frEADGBExx1234
EADGBE111234
8frEADGBE111234
10frEADGBE11xx2x
Fsus4/B♭
3frEADGBExx1234
EADGBE111234
8frEADGBE111234
10frEADGBE11xx2x
D♯7♭9
5frEADGBE11x234
EADGBExx24
6frEADGBE11x34
9frEADGBE3241xx
G♯69
5frEADGBExx2134
EADGBE11111x
EADGBE111234
10frEADGBE11x234
C♯maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
D♯sus4
EADGBExx1234
6frEADGBE111234
8frEADGBE11xx2x
11frEADGBE111234
Fmaj7
EADGBExx321
EADGBE111423
3frEADGBE11x333
8frEADGBE111324

Explore More

Lately in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to C (descending minor third), C to G# (descending major third), G# to A# (ascending whole step), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to F (ascending whole step), F to F (ascending unison), F to F (ascending unison), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to G (descending half step), G to C (ascending perfect fourth), C to C (ascending unison), C to C (ascending unison), C to G# (descending major third), G# to A# (ascending whole step), A# to B (ascending half step), B to C# (ascending whole step), C# to D# (ascending whole step), D# to D (descending half step), D to C# (descending half step), C# to C# (ascending unison), C# to F (ascending major third), F to F (ascending unison), F to F (ascending unison), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to D# (ascending whole step), D# to F (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to D# by whole step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 77 bars · Form: ABB

Chords: D♯maj9, Cm7, G♯maj7, A♯sus4, A♯7, D♯69, Fm7, Fm, FmMaj7, D♯7, G♯6, G♯m6, Gm7, Csus4, Csus4/E♭, Csus4/F, G♯m7, A♯m7, Bmaj7, C♯m7, D♯m7, D9♯11, C♯6, C♯m6, Fsus4, Fsus4/A♭, Fsus4/B♭, D♯7♭9, G♯69, C♯maj7, D♯sus4, Fmaj7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#