Do Re MiC D E

Lately

Wonder Stevie4/4pop♩= 74

Chord Diagrams — Lately in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯maj9
3frEADGBExx2143
EADGBE111243
EADGBE11x234
8frEADGBE22143x
D♯m7
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
Bmaj7
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
9frEADGBE11333x
C♯sus4
EADGBEx3412x
4frEADGBE111234
6frEADGBE2x1114
9frEADGBE111234
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
F♯69
EADGBExx2134
EADGBE111234
6frEADGBE1111x2
8frEADGBE11x234
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
G♯m
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
G♯mMaj7
4frEADGBE111132
EADGBE11x243
6frEADGBE11x342
11frEADGBE11x423
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
B6
EADGBE3333x1
EADGBEx312x
7frEADGBE1x324x
9frEADGBE11xx34
Bm6
EADGBExx2314
EADGBE2314
6frEADGBE2x134x
7frEADGBE111234
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
D♯sus4
EADGBExx1234
6frEADGBE111234
8frEADGBE11xx2x
11frEADGBE111234
D♯sus4/E♭
EADGBExx1234
6frEADGBE111234
8frEADGBE11xx2x
11frEADGBE111234
D♯sus4/F
EADGBExx1234
6frEADGBE111234
8frEADGBE11xx2x
11frEADGBE111234
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
Dmaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
Em7
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
F♯m7
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314
F9♯11
8frEADGBE111x23
EADGBE123
3frEADGBExx1234
7frEADGBE11x234
E6
7frEADGBE3333x1
EADGBE2314
EADGBE11134
5frEADGBEx4231x
Em6
8frEADGBExx2314
EADGBE123
EADGBE11132
5frEADGBE11x324
G♯sus4
6frEADGBE11x234
EADGBE11xx24
4frEADGBE111234
11frEADGBE111234
G♯sus4/A♭
6frEADGBE11x234
EADGBE11xx24
4frEADGBE111234
11frEADGBE111234
G♯sus4/B♭
6frEADGBE11x234
EADGBE11xx24
4frEADGBE111234
11frEADGBE111234
F♯7♭9
8frEADGBE11x234
EADGBE2134
3frEADGBE11xx23
12frEADGBE3241xx
B69
8frEADGBEx22134
EADGBE11x234
6frEADGBE111234
11frEADGBE11x432
Emaj7
7frEADGBE111324
EADGBE312
EADGBE333xx1
4frEADGBE111x43
F♯sus4
4frEADGBE11x234
EADGBE111234
9frEADGBE111234
11frEADGBE11xx24
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324

Explore More

Lately in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to D# (descending minor third), D# to B (descending major third), B to C# (ascending whole step), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to G# (ascending whole step), G# to G# (ascending unison), G# to G# (ascending unison), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to B (ascending unison), B to A# (descending half step), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to D# (ascending unison), D# to B (descending major third), B to C# (ascending whole step), C# to D (ascending half step), D to E (ascending whole step), E to F# (ascending whole step), F# to F (descending half step), F to E (descending half step), E to E (ascending unison), E to G# (ascending major third), G# to G# (ascending unison), G# to G# (ascending unison), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to F# (ascending whole step), F# to G# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G# to F# by whole step.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 77 bars · Form: ABB

Chords: F♯maj9, D♯m7, Bmaj7, C♯sus4, C♯7, F♯69, G♯m7, G♯m, G♯mMaj7, F♯7, B6, Bm6, A♯m7, D♯sus4, D♯sus4/E♭, D♯sus4/F, Bm7, C♯m7, Dmaj7, Em7, F♯m7, F9♯11, E6, Em6, G♯sus4, G♯sus4/A♭, G♯sus4/B♭, F♯7♭9, B69, Emaj7, F♯sus4, G♯maj7.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#