Do Re MiC D E

Isn't She Lovely?

Wonder Stevie4/4pop♩= 118
E/B
B6/G♯
B6/B
E/B
G♯m7/G♯
G♯m7/G
E/B
D♯7♭13
E/B
%
%
E/B
G♯m7/G♯
G♯m7/G
E/B
D♯7♭13
E/B
%
%

Chord Diagrams — Isn't She Lovely? in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
C♯9
EADGBE221334
8frEADGBE3142xx
9frEADGBE111324
10frEADGBExx2143
E/B
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
B6
EADGBE3333x1
EADGBEx312x
7frEADGBE1x324x
9frEADGBE11xx34
B6/G♯
EADGBE3333x1
EADGBEx312x
7frEADGBE1x324x
9frEADGBE11xx34
B6/B
EADGBE3333x1
EADGBEx312x
7frEADGBE1x324x
9frEADGBE11xx34
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
G♯m7/G♯
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
G♯m7/G
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
Emaj7
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
D♯7♭13
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132

Explore More

Isn't She Lovely? in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through G# to C# (ascending perfect fourth), C# to E (ascending minor third), E to B (descending perfect fourth), B to B (ascending unison), B to B (ascending unison), B to C# (ascending whole step), C# to G# (descending perfect fourth), G# to G# (ascending unison), G# to E (descending major third), E to D# (descending half step), D# to D# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D# to G# by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 36 bars · Form: AB

Chords: G♯m7, C♯9, E/B, B6, B6/G♯, B6/B, C♯7, G♯m7/G♯, G♯m7/G, Emaj7, D♯7♭13, D♯7.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B