Do Re MiC D E

Isn't She Lovely?

Wonder Stevie4/4pop♩= 118
D♯/B
A♯6/G♯
A♯6/B
D♯/B
Gm7/G♯
Gm7/G
D♯/B
D7♭13
D♯/B
%
%
D♯/B
Gm7/G♯
Gm7/G
D♯/B
D7♭13
D♯/B
%
%

Chord Diagrams — Isn't She Lovely? in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
C9
7frEADGBE112344
EADGBE221334
7frEADGBE131214
9frEADGBExx2143
D♯/B
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
A♯6
6frEADGBE113x24
EADGBE3333x1
5frEADGBE2134
10frEADGBEx4231x
A♯6/G♯
6frEADGBE113x24
EADGBE3333x1
5frEADGBE2134
10frEADGBEx4231x
A♯6/B
6frEADGBE113x24
EADGBE3333x1
5frEADGBE2134
10frEADGBEx4231x
C7
8frEADGBE111132
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
Gm7/G♯
8frEADGBE11x234
3frEADGBE111113
5frEADGBE11x423
10frEADGBE111132
Gm7/G
8frEADGBE11x234
3frEADGBE111113
5frEADGBE11x423
10frEADGBE111132
D♯maj7
8frEADGBE111xx4
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
D7♭13
10frEADGBE111132
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
D7
10frEADGBE111132
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134

Explore More

Isn't She Lovely? in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G to C (ascending perfect fourth), C to D# (ascending minor third), D# to A# (descending perfect fourth), A# to A# (ascending unison), A# to A# (ascending unison), A# to C (ascending whole step), C to G (descending perfect fourth), G to G (ascending unison), G to D# (descending major third), D# to D (descending half step), D to D (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to G by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 36 bars · Form: AB

Chords: Gm7, C9, D♯/B, A♯6, A♯6/G♯, A♯6/B, C7, Gm7/G♯, Gm7/G, D♯maj7, D7♭13, D7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#