Do Re MiC D E

Isn't She Lovely?

Wonder Stevie4/4pop♩= 118
D/B
A6/G♯
A6/B
D/B
F♯m7/G♯
F♯m7/G
D/B
C♯7♭13
D/B
%
%
D/B
F♯m7/G♯
F♯m7/G
D/B
C♯7♭13
D/B
%
%

Chord Diagrams — Isn't She Lovely? in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
B9
4frEADGBE111432
EADGBEx21334
7frEADGBE111324
8frEADGBExx2143
D/B
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
A6
5frEADGBE113x24
EADGBE1111x
4frEADGBE2x143x
10frEADGBEx4231x
A6/G♯
5frEADGBE113x24
EADGBE1111x
4frEADGBE2x143x
10frEADGBEx4231x
A6/B
5frEADGBE113x24
EADGBE1111x
4frEADGBE2x143x
10frEADGBEx4231x
B7
7frEADGBE111132
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
F♯m7/G♯
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314
F♯m7/G
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314
Dmaj7
7frEADGBE111xx4
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
C♯7♭13
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132
C♯7
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132

Explore More

Isn't She Lovely? in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F# to B (ascending perfect fourth), B to D (ascending minor third), D to A (descending perfect fourth), A to A (ascending unison), A to A (ascending unison), A to B (ascending whole step), B to F# (descending perfect fourth), F# to F# (ascending unison), F# to D (descending major third), D to C# (descending half step), C# to C# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C# to F# by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 36 bars · Form: AB

Chords: F♯m7, B9, D/B, A6, A6/G♯, A6/B, B7, F♯m7/G♯, F♯m7/G, Dmaj7, C♯7♭13, C♯7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A