Do Re MiC D E

I Can't Help It

Michael Jackson (Wonder-Greene)4/4pop♩= 102

Chord Diagrams — I Can't Help It in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A13♯11
A - C♯ - E - G - B - D♯ - F♯
G♯maj9
4frEADGBE113224
EADGBE1111x4
3frEADGBE111243
10frEADGBE22143x
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
Fm9
EADGBEx1234
EADGBE111134
6frEADGBEx21344
11frEADGBE21344
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
A♯13
4frEADGBE1132
EADGBE44x12
6frEADGBE111234
12frEADGBE44x213
C♯m9
EADGBEx21344
5frEADGBE222x14
7frEADGBEx13244
9frEADGBE111134
D♯7♯9
EADGBExx234
5frEADGBEx2134x
8frEADGBE111x23
10frEADGBE2134xx
Emaj
EADGBE231
2frEADGBExx1243
4frEADGBE111432
7frEADGBE111234
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
Amaj
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
G♯69
5frEADGBExx2134
EADGBE11111x
EADGBE111234
10frEADGBE11x234
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114

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I Can't Help It in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A to G# (descending half step), G# to G# (ascending unison), G# to F (descending minor third), F to F (ascending unison), F to A# (ascending perfect fourth), A# to C# (ascending minor third), C# to D# (ascending whole step), D# to E (ascending half step), E to F# (ascending whole step), F# to G# (ascending whole step), G# to A (ascending half step), A to G# (descending half step), G# to D# (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D# to A by tritone.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 104 bars · Form: AABB

Chords: A13♯11, G♯maj9, G♯maj7, Fm9, Fm7, A♯13, C♯m9, D♯7♯9, Emaj, F♯m7, G♯m7, Amaj, G♯69, D♯m7.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#