Do Re MiC D E

I Can't Help It

Michael Jackson (Wonder-Greene)4/4pop♩= 102
A♯13♯11
Amaj9
A♯13♯11
Amaj9
A♯13♯11
Amaj9
A♯13♯11
Amaj9
A♯13♯11
A♯13♯11
B13
Fmaj
A♯maj
A♯13♯11
A♯13♯11
B13
A69
A♯13♯11
Amaj9
A♯13♯11
Amaj9
A♯13♯11
A♯13♯11
B13
Fmaj
A♯maj
A♯13♯11
A♯13♯11
B13
A69
A♯13♯11
Amaj9
A♯13♯11
Amaj9
A♯13♯11
A♯13♯11
B13
Fmaj
A♯maj
A♯13♯11
A♯13♯11
B13

Chord Diagrams — I Can't Help It in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯13♯11
A♯ - D - F - G♯ - C - E - G
Amaj9
4frEADGBE11243
EADGBE11x34
5frEADGBEx2314
11frEADGBE22143x
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
F♯m9
7frEADGBEx21344
EADGBE2314
EADGBE111123
10frEADGBExx2413
F♯m7
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314
B13
7frEADGBE111234
EADGBE44x213
EADGBE111134
4frEADGBE111432
Dm9
5frEADGBEx1423
EADGBE132
3frEADGBEx21344
10frEADGBE111134
E7♯9
6frEADGBEx2134x
EADGBE214
3frEADGBE312
9frEADGBE11123
Fmaj
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
A♯maj
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
A69
4frEADGBE111234
EADGBE11x34
6frEADGBEx22134
11frEADGBE11x234
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314

Explore More

I Can't Help It in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A# to A (descending half step), A to A (ascending unison), A to F# (descending minor third), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to D (ascending minor third), D to E (ascending whole step), E to F (ascending half step), F to G (ascending whole step), G to A (ascending whole step), A to A# (ascending half step), A# to A (descending half step), A to E (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from E to A# by tritone.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

pop4/4 · 104 bars · Form: AABB

Chords: A♯13♯11, Amaj9, Amaj7, F♯m9, F♯m7, B13, Dm9, E7♯9, Fmaj, Gm7, Am7, A♯maj, A69, Em7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A